The text (translation)
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Summary
The Thiru-Nuttarandhati is a revered Tamil Jain stotra comprising 100 stanzas, composed approximately 400 years ago in Mylapore, Madras, at the temple of Lord Neminatha. Originally a Vishnuvite Brahmin versed in Vedic lore, the author converted to Jainism after overhearing a Jain Acharya’s teachings and experiencing a spiritual awakening. He subsequently composed the stotra, received initiation (diksha), and traveled to spread Jain teachings. The text praises Lord Arhat’s infinite attributes (Ananta-Guna), emphasizing his role as a liberator from samsara (cycle of rebirth) and the supreme path to salvation (mukti). It highlights the futility of worldly pursuits and the necessity of devotion to Arhat for eternal bliss. The stotra also critiques false spiritual practices and underscores the importance of truth, austerity, and meditation on Jinaendra. Key themes include the transformative power of Arhat’s teachings, the destruction of bad karmas, and the attainment of nirvana. The original temple in Mylapore was submerged centuries ago, with the sacred idol relocated to Chittamoor. The text reflects core Jain principles, including non-attachment, the impermanence of worldly happiness, and the exclusivity of Arhat as the true savior.
Conclusion
This document presents the *Thiru-Nuttarandhati*, a 100-stanza Tamil Jain stotra composed 400 years ago, highlighting the transformative journey of its Brahmin author, who converted to Jainism after encountering the teachings of Lord Neminatha. The text underscores the philosophical depth of the work, which emphasizes the pursuit of liberation (Mukti) through devotion, austerities, and the rejection of worldly illusions. The stotras vividly depict the Arhat’s divine attributes, the power of Jain philosophy to transcend karmic bonds, and the ultimate goal of attaining Nirvana. The document also reflects on the historical and spiritual significance of the submerged Mylapore temple, the prophecy of its destruction, and the enduring legacy of Jainism in Tamil culture. The work serves as a bridge between Vedic and Jain thought, illustrating the universal appeal of Jain teachings and their capacity to inspire profound spiritual transformation.