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LYRICS IN TERRACOTTA – RATNESHWAR TEMPLE OF BHATTAMATI (Jul )

By Devashis Nandy

Vol. 7Jul 2019English

Summary

The Ratneshwar Temple in Bhattamati, Murshidabad, is a five-pinnacled terracotta temple showcasing intricate artwork and architectural symmetry. Built on a square base, it features pyramidal turrets and faces south, with its richest terracotta ornamentation on the entrance wall. The temple depicts scenes from Hindu epics, social life, and Vaishnavism, including the Dashavataras, Ramayana, and Krishna Lila. Notably, it portrays Englishmen and Muslim soldiers approaching each other near the doorway, reflecting late medieval Bengal's cultural and political dynamics. The western and northern walls display large Matsya and Vamana Avatars, while the eastern face features Gour Nitai, Radha Krishna, and Sharabhuja Gouranga. Despite its historical significance, the temple has faced neglect, with renovation efforts in 2005-2006 failing to ensure ongoing protection. Surrounded by paddy fields and ponds, it remains a lesser-known gem of Bengal's terracotta heritage, awaiting preservation and recognition.

Conclusion

The Ratneshwar temple of Bhattamati stands as a fading yet profound testament to Bengal's rich terracotta artistry and cultural synthesis. Its intricate carvings, depicting Hindu epics, social life, and even historical encounters, offer a window into the late medieval period's religious and political dynamics. Despite neglect and delayed conservation efforts, the temple's surviving artistry—particularly the Dashavataras and the unique portrayal of Sri Chaitanya Mahaprabhu—highlights the artistic and spiritual fervor of the era. As a Pancharatna Shiva temple amid paddy fields, it symbolizes both the enduring legacy of Bengal's brick architecture and the urgent need for sustained preservation to safeguard such cultural treasures for future generations.

Article order

In this issue

Vol. 7
Vedic PrayerSri Ganesha SuktamEditorial - The Path of Symbiotic ExistenceSwami VivekanandaReminiscences of SargachhiSrimat Swami Suhitananda jiFulfilment in LifeSwami MedhasanandaBelur Math – The Carrier of Indian Culture and Spiritual HeritageSwami ParavaranandaIndic Mind and the Western MindS. RADHAKRISHNANSongs of Soul- Kathaa bolte daraaiSri RamakrishnaPocket Tales - Gadai Settles an ArgumentGitanjali MurariHow Do You Learn to Act ?Ramasubramanian O.B.Vivekananda Way - The Common Bases of Hinduism - Part-Swami VivekanandaBook ReviewSwami TyaganandaThe Order on the MarchUnexhibitedDAKSHINAMURTI STOTRA (Jul )Swami HarshanandaYUGAVANI: EGO (Jul )Sri RamakrishnaEDITORIAL: SHIVA JNANE JIVA SEVA (Jul )UnexhibitedSANT TUKARAM (Jul )REMINISCENCES OF SARGACHHI (Jul )Swami SuhitanandaLYRICS IN TERRACOTTA – RATNESHWAR TEMPLE OF BHATTAMATI (Jul )Devashis NandyCurrent articleBISHOP JOHN J. KEANE: IN DEFENSE OF SWAMI VIVEKANANDA (Jul )ASIM CHAUDHURIVIVEKANANDA WAY (Jul )UnexhibitedPOORVA: MAGIC, MIRACLES AND THE MYSTICAL TWELVE (Jul )Lakshmi DevnathPARIPRASNA (Jul )Swami TapasyanandaTHE ‘AS’-‘IS’ HYBRID (Jul )Swami SatyapriyanandaBOOK REVIEWS (Jul )Prema Raghunath, R. GopalakrishnanTHE VALUE OF DISCIPLINE (Jul )THE GURU (Jul )UnexhibitedRELIGION IS COMMON SENSE (Jul )UnexhibitedTOPICAL MUSINGS: OUR SADHANA (Jul )UnexhibitedTHE ORDER ON THE MARCH (Jul )UnexhibitedHASTAMALAKIYAM (Jul )Swami SuprajnanandaEDITORIAL: DEALING WITH LIKES AND DISLIKES (Jul )UnexhibitedREMINISCENCES OF SARGACHHI (Jul )Swami SuhitanandaNON-DUALITY AND THE LANGUAGE OF PARADOX IN THE BHAGAVAD GITA (Jul )Swami SarvapriyanandaFOUR ADVAITA SUTRAKARAS & BHASHYAKARAS (Jul )PROF. C.V. RAMACHANDRA RAOHERITAGE ~ HEROES (Jul )GURU AND GOD (Jul )Swami RamakrishnanandaCENTENARY CELEBRATION OF THE RAMAKRISHNA MISSION, DHAKA (Jul )UnexhibitedTHEORY AND PRACTICE OF HASTHA YOGA (Jul )THE SOCIOLOGICAL VIEWS OF SISTER NIVEDITA (Jul )THE ORDER ON THE MARCH (Jul )UnexhibitedBOOK REVIEWS (Jul )Swami Smaranananda

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