अष्टपाहुड और जैन साधु

Summary

The article examines the concept of ascetic symbols (linga) in Jainism, particularly within the Digambara tradition, as elucidated by Acharya Kundakunda in texts like the *Ashtapahuda*. It distinguishes three types of symbols: *bhavalinga* (internal symbol), representing inner detachment and pure consciousness; *dravyalinga* (external symbol), the physical nudity of a monk; and *kulinga* (non-Jina symbol), where the external ascetic garb is worn without corresponding inner purity. The text emphasizes that the true Jain path requires both internal and external symbols to align; the external Digambara form is only valid when accompanied by inner detachment. Ascetics are classified into two main groups: renunciant monks and householders (shravakas). Monks are further divided into *bhavalingi* (those with inner purity), *dravyalingi* (those who follow external rules but lack inner knowledge), and *jinetalings* (those who misuse the ascetic form). Acharya Kundakunda stresses the primacy of *bhavalinga*, stating that one should first cultivate inner nudity by abandoning faults like false belief, then adopt the external monk's form. He warns that a monk without inner knowledge, even if externally observant, binds karmas and cannot attain liberation, comparing such a monk to a "walking corpse." The article details various improper behaviors for monks, such as engaging in worldly affairs, violence, sensual pleasures, and disputes, declaring that such individuals are not true ascetics. Ultimately, the true Jain path is defined by adherence to the Jina's scriptures, inner detachment, and the correct alignment of internal purity with external conduct, leading to liberation.