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Some Interesting Sculptures of Yaksas and Kubera from Rajasthan

By Ratna Chandra Agrawala

Vol. 33 · No. 3September - 1957pp. 201-207English

Summary

Agrawala investigates rare sculptures of Yaksas and Kubera from Rajasthan to explore the evolution of their iconography. Though the cult of Kubera dates back to ancient India, sculptural depictions are scarce; textual references like Patanjali’s Mahabhasya show established worshipfile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=Some%20Interesting%20Sculptures%20of%20Yaksas,sculptural%20representation%20of%20Kubera%2C%20in. Agrawala describes a well-preserved Gupta-period sculpture from Kaman depicting Kubera with a money-bag and cup, adorned with ornaments and exuding prosperityfile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=the%20Kusdna%20period,they%20have%20been%20successfully%20executed. Comparing this figure with earlier Yaksa reliefs from Bharhut and Nagar, he notes a progression from simple guardian spirits to richly ornamented deities. Yaksa images initially lacked elaborate attributes but evolved into sophisticated representations as they assimilated Kubera’s characteristics. Agrawala also analyses the syncretism between Yaksa and Kubera worship and suggests that Kubera was sometimes subsumed under other deities, explaining the scarcity of his images. By examining these sculptures’ stylistic features and religious context, the article demonstrates how local artistic traditions in Rajasthan shaped the portrayal of wealth and guardianshipfile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=Some%20Interesting%20Sculptures%20of%20Yaksas,sculptural%20representation%20of%20Kubera%2C%20infile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=the%20Kusdna%20period,they%20have%20been%20successfully%20executed.

Conclusion

By analysing the few extant sculptures of Yaksas and Kubera from Rajasthan, Agrawala traces the transformation of these figures from unadorned folk guardians to fully-fledged gods of wealth. The Gupta-period Kubera image illustrates this maturationfile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=the%20Kusdna%20period,they%20have%20been%20successfully%20executed, while comparisons with earlier Yaksa sculptures reveal stylistic and religious continuityfile:///home/oai/share/563033-1-398-185-288.pdf#:~:text=Some%20Interesting%20Sculptures%20of%20Yaksas,sculptural%20representation%20of%20Kubera%2C%20in. The study highlights regional variations in iconography and underscores the value of isolated artefacts for understanding broader cultural shifts.

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