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Śiva and his Emblems on Early Indian Coins and Seals

By Jitendra Nath Banerjee

Vol. 16 · No. 1March - 1940pp. 118-142English

Summary

The study of symbols on early Indian coins and seals reveals connections to religious practices and deities, particularly Shiva. Scholars suggest symbols like mountain motifs (three-, five-, or six-arched) may hold cult significance, possibly representing *trisriga parvata* with a lunar crescent. A human figure depicted on some Ujjain coins, holding a staff and vase, is tentatively identified as Shiva. However, interpretations remain speculative due to limited evidence. Symbols on these coins often mirror those from the Indus Valley seals, though their exact meanings are unclear. Local and tribal contexts provide more confidence in identifying symbols tied to specific cults. As iconism gained prominence, deities like Buddha and Shiva appeared on coins, often alongside older symbols. For instance, the humped bull, a common motif, likely represents Shiva theriomorphically. A unique gold coin of an Indo-Scythic king features a bull with Greek and Kharosthi legends (*Tauros* or *Usabbe*), suggesting Shiva worship. Coins also depict early attempts to represent Shiva anthropomorphically, such as a crude lingam on a pedestal alongside a sacred tree and female figure, possibly linked to his cult. While direct sculptural parallels are rare for Shiva in early periods, comparisons with Gandhara Buddha coins (e.g., Kanishka’s issues) show how numismatic types often derive from contemporary sculptures. The transition from symbolic to iconic representations reflects broader religious shifts, with older symbols retained as attributes. For example, the bull evolved from a deity’s vehicle to an accompanying figure as anthropomorphic forms emerged. These numismatic depictions, though uncertain in some cases, offer valuable insights into early Indian religious practices and iconographic development.

Conclusion

This study underscores the profound interplay between early Indian religious iconography and numismatic art, revealing how emblematic representations on coins and seals reflect localized cult practices and aniconic traditions. By analyzing symbols like the three-arched mountain, vrksa-caitya motifs, and theriomorphic deities, the research highlights tentative connections to broader Indus Valley pictography while acknowledging interpretative uncertainties. The transition from symbolic to iconic representations, particularly the emergence of Siva and Buddha in numismatic forms, is contextualized through parallels with Gandharan sculpture and Hellenic coinage, suggesting a dynamic interplay between artistic and religious evolution. These findings not only illuminate the religious landscape of early India but also emphasize the enduring legacy of symbolic traditions in shaping later iconic expressions.

Article order

In this issue

Vol. 16 · No. 1
1-8Hyder Ali’s Relations with the Marathas (1766–67)Narendra Krishna Sinha9-19Post‑Vyasārāya PolemicsB. N. Krishnamurti Sharma20-39Durlabhrām: A Prominent Bengal Officer of the Mid‑eighteenth CenturyKali Kinkar Datta40-47Parijata‑dhvaja of the Maratha King SambhajiP. K. Gode48-57The Foundation of Muslim Rule in India (1206–1290 A.D.)Mohammad Aziz Ahmad58-69Vasudeva SarvabhaumaDinesh Chandra Bhattacharya70-98The Wife in the Vedic RitualJitendra Bimal Chaudhuri99-104Benares Plate of Govindacandra, King of Kanauj: (Vikrama‑) Samvat 1171R. K. Ghoshal105-117TeliagarhiSarit Sekhar Majumdar118-142Śiva and his Emblems on Early Indian Coins and SealsJitendra Nath BanerjeeCurrent article143-144Miscellany: Guṇaratna’s Tarkarahasyadīpikā and Dharmakīrti’s PramāṇavārttikaVidhushekhara Bhattacharya147-165Quilon Inscription of Jayasimha Vira Kerala VarmaK. Rama Pisharoti, A. Govinda Warrier166-169Sher Shah’s Parganahs and their administrative OfficialsH. N. Sinha169-171A Note on the Śabdaniṟṇaya/ŚabdanirŇayaT. R. Chintamani172-178The Silver and Copper Coinage of Pre‑Moghul IndiaGottlieb L. Schanzlin179-182A Side‑light on the History of BengalDhirendra Chandra Ganguly182-186The Vatsagulma Copper‑plate Grant of Vākāṭaka Vindhyasakti - Regnal Year 37Dineshchandra Sircar187-206ReviewsDineshchandra Sircar, Nalinaksha Dutt, Chintaharan Chakravarti, Narendra Krishna Sinha, A. B. M. Habibullah, U. N. Ray207-218Select Contents of Oriental JournalsUnexhibited

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