Materials for the Interpretation of the term ‘Gommata’
By Adinath Neminath Upadhye
Summary
Investigating the meaning of the term ‘Gommata’ as used in Jaina tradition, this article analyses verses from the Gommatasara and its commentaries. The author argues that ‘Gommata’ refers primarily to Camunda Raya (Gommata Raya), the 10th‑century general who commissioned the colossal monolithic statue at Shravanabelagola. By translating gathas from the Jivakanda and Karmakanda sections, the paper shows that Ajitasena, a revered teacher, was Camunda Raya’s guru and that the text’s title honours the patron rather than a divine figure. ‘Gommata’ also carries the sense of excellence or beauty, reinforcing the patron’s reputation. The author clarifies that Gommatasara is an authoritative compilation attributed to Mahavira but popularly named after its benefactor. The discussion corrects misunderstandings and illustrates the importance of lay patrons in the creation and naming of religious literature.
Conclusion
By dissecting the textual usage of ‘Gommata’, the article resolves ambiguities about its referent and highlights how Jain communities commemorated patrons through textual and sculptural dedications. Recognising Camunda Raya’s role shifts focus from mythic interpretations to historical agency.