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Bengal School of Art

By Satish Chandra Mitra

Vol. 1 · No. 1March - 1925pp. 69-79English

Summary

The Bengal School of Art emerged from India's rich artistic heritage, rooted in spiritualism that shaped its cultural expressions. Originating in pre-historic times, Indian art evolved from survival-driven pursuits to spiritual and aesthetic manifestations, eventually encompassing 582 disciplines. Eighteen ancient teachers, including revered figures like Vishvakarman and Maya, systematized artistic knowledge through texts like the *Manasara* and *Mayamata*. Hindu art received significant impetus from Buddhism and Jainism, particularly after Emperor Ashoka's patronage in the 3rd century BCE. While Northern India faced disruptions from foreign invasions, Southern India preserved and advanced artistic traditions, exemplified by temple architecture adhering to canonical texts. The Gupta period (4th–6th century CE) saw a revival of art, with later influences from Islamic rule introducing new styles. By the 8th century CE, Bengal became a focal point for artistic innovation under the Pala dynasty (750–1198 CE). The Palas fostered a Renaissance in Buddhist art, marked by monastic complexes and sculptures linking Gupta-era traditions to later developments. Excavations at Nalanda revealed copper inscriptions and artifacts, underscoring Bengal's role in assimilating diverse cultural influences. The Bengal School of Art thus emerged as a distinct tradition, blending indigenous practices with external inspirations, leaving a lasting legacy in Indian cultural history.

Conclusion

The Bengal School of Art emerges as a profound synthesis of India's spiritual ethos and artistic evolution, rooted in the nation's timeless pursuit of idealistic expression. From pre-historic survival-driven creativity to the intricate Vastu-Vidya encapsulating sculpture and architecture, Indian art has always been a manifestation of inward bliss and mental transcendence. The documentation of 582 arts, the revered 18 teachers like Visvakarman and Maya, and the enduring principles of the Manasara highlight a culture that assimilated foreign influences while forging an original identity. The school's revival in Bengal, sparked by Asoka's patronage and later Gupta and Harsha eras, underscores art's role as a living, dynamic force—one that continues to inspire with its vast potentialities, blending tradition with universal creativity.

Article order

In this issue

Vol. 1 · No. 1
1-4IntroductionSten Konow4-17The Date of Zoroaster and the RgvedaArthur Berriedale Keith18-30The Northern BuddhismHariprasad G. Shastri31-36Bharavi and DandinSushil Kumar De36-42Some Aspects of the Economic Life in Ancient India ( AS DEPICTED IN THE RGVEDA )Prafulla Chandra Basu42-50The Aryan Rule of IndiaW. F. Gunawardhana50-58Message from Barhut Jataka LabelsB. M. Barua59-68The Vicitra NatakIndubhusan Banerjee69-79Bengal School of ArtSatish Chandra MitraCurrent article79-85Rama Raya, Regent of Vijayanagar (1542–1565)H. Heras86-87Seniya BimbisaraHem Chandra Raychaudhuri88-91Sumerians in IndiaLaurence Austine Waddell91-94Some observations on Pusyamitra and his EmpireRamesh Chandra Majumdar94-99Politics and Political History in the MahabharataNarayan Chandra Banerji100-102Etymologies of Kubha lagh, eagh-, gevaya, and Laghulo.Muhammad Shahidullah103-111The Bhasa ProblemK. Rama Pisharoti111-116Some Wall‑Paintings from KelaniyaStella Kramrisch116-119Pāvapuri and its Temple PrasastiPuranchand Nahar119-125Mandukya Upanishad and the Gaudapada KarikasVidhushekhara Bhattacharya126-129Lakshmana Sena’s Flight from NadiaC. V. Vaidya130-136Rasātala or the Under‑WorldNandu Lal Dey137-166The Kosalas in Ancient IndiaBimala Charan Law167-171MISCELLANY - Oriental Studies in RussiaUnexhibited172-176Progress of Historical Research in the Madras PresidencyC. S. Srinivasachari176-179Recent Discoveries in Sind and the PunjabS. K. Chatterjee179-184The All-India Oriental Conference (Third Session)Sushil Kumar De185The Date of Manik Ganguli's Dharma MangalMuhammad Shahidullah185-186Oriental Studies in JapanR. Kimura187-191ReviewsRamesh Chandra Majumdar, B. M. Barua, Kaccayana, D. M. Bhattacharya192-196Select Contents of Oriental JournalsUnexhibited197-198BIBLIOGRAPHICAL NOTESUnexhibited

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