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शिवार्यकृत भगवती आराधना में चित्रित “समाहित चित्त” का स्वरूप एवं उपयोग : सल्लेखना के परिप्रेक्ष्य में

By डॉ. पी. सी. जैन

Vol. 25 · No. 0April - 2011 - 2012pp. 72-84Hindi

Summary

This PDF, from *Jainavidya* (April 2011-2012), explores the concept of "Samahita Chitta" (composed mind) as depicted in Acharya Shivarya's *Bhagavati Aradhana*, specifically within the context of Sallekhana. Sallekhana, a Jain term, means the systematic thinning of both the body and passions. It is a voluntary, joyful practice undertaken when facing incurable disease, extreme old age, or unavoidable calamity, serving as the protector of lifelong vows and conduct. The text distinguishes between constant, moment-to-moment death and the final death of the body, which significantly impacts the soul's future. Sallekhana aims to purify this final death by reducing karmic influx, thereby shortening the cycle of rebirth. The practice involves gradually reducing food through fasting, pacifying passions, cultivating physical stillness, and withdrawing mental, verbal, and physical activities. A key requirement for the practitioner is a "Samahita Chitta," a mind free from unwholesome thoughts, completely under control, and focused on the Ratnatraya (right faith, knowledge, and conduct). Acharya Shivakoti emphasizes that such a mind is essential for faultless conduct. A restless mind, compared to a wild horse or a slippery fish, leads to suffering and endless wandering in samsara. Conversely, controlling the mind destroys the root causes of worldly existence. The text underscores that the fruit of a lifetime of austerity, vows, and study is realized only through a peaceful death. Without it, all spiritual efforts are rendered futile, like a student forgetting lessons at exam time. Therefore, one must strive for Sallekhana according to one's capacity. The practitioner should seek forgiveness from all beings, remain free from desires for praise or attendance, and undertake the vow voluntarily. The ultimate goal is to maintain pure mental states at the end of life, ensuring a favorable rebirth and eventual liberation.

Conclusion

The document underscores that *sallekhana* (or *samadhimarana*) is not merely a deathbed ritual but the culminating fruition of a lifetime of spiritual discipline, without which all prior penance and vows are rendered fruitless. Its primary implication is that the state of the mind at the moment of death is paramount, determining the soul's future trajectory—either toward a swift end to the cycle of rebirth or toward prolonged suffering in lower existences. The text establishes that a "composed mind" (*samahita chitta*) is an indispensable prerequisite for a successful *sallekhana*, as it alone allows for the serene detachment from body and passions necessary for a pure death. Consequently, the outcome for the practitioner who achieves this is profound: the karmic bonds that fuel endless transmigration are severed, leading to a drastically reduced number of future births and ultimately, the attainment of liberation (*nirvana*).

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In this issue

Vol. 25 · No. 0
6प्रकाशकीय8-13सम्पादकीयआचार्य शिवार्य, शिवकोटि, ड. ज्योतिप्रसाद जैन, डॉ. हीरालाल जैन, अपराजित सूरि, श्री विजय, आशाधर, आचार्य अमितगति, पण्डित आशाधर, देवसेन, प्रभाचन्द्र, ब्रहमने14-17'भगवती आराधना' के रचनाकार आचार्य शिवकोटिआचार्य शिवकोटि, शिवकोटि, शिवकोटि मुनि, शिवकोटि आचार्य, शिवकोट्याचार्य, शिवार्य, शिवभूति18-29भगवती आराधना और संवेग रंगशालाप्रो. (डॉ.) श्रीमती पुष्पलता जैन30-46भगवती आराधना में वर्णित द्वादश भावनाओं का स्वरूपडॉ. राजेन्द्रकुमार बंसल, डॉ. हीरालाल जैन47अप्पपसंसं परिहरहपण्डित कैलाशचन्द्र सिद्धान्तशास्री48-55आचार्य शिवार्य-कृत 'भगवती आराधना' में समाधिमरणडॉ. प्रेमचन्द्र रावका56-71'भगवती आराधना' में समाधिमरण की आराधना विधिडॉ. भागचन्द्र “भास्कर '72-84शिवार्यकृत भगवती आराधना में चित्रित “समाहित चित्त” का स्वरूप एवं उपयोग : सल्लेखना के परिप्रेक्ष्य मेंडॉ. पी. सी. जैनCurrent article85जो जारिसीय मेत्ती केरइपण्डित कैलाशचन्द्र सिद्धान्तशास्त्र86-96भगवती आराधना में प्रतिपादित मरण-समाधि-सल्लेखनाडॉ. कस्तूरचन्द्र “सुमन97मेत्ति खमिदव्वंआचार्य शिवार्य, पण्डित कैलाशचन्द्र सिद्धान्तशास्त्री98-104परवर्ती जैन हिन्दी काव्य पर 'भगवती आराधना' का प्रभावडॉ. वीरसागर जैन105सो डज्झदि व ण वा परोपण्डित कैलाशचन्द्र सिद्धान्तशाखरी

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