Browse articles

सो डज्झदि व ण वा परो

By पण्डित कैलाशचन्द्र सिद्धान्तशाखरी

Vol. 25 · No. 0April - 2011 - 2012pp. 105Hindi

Summary

The text discusses the detrimental effects of anger, drawing from the Jain scripture *Bhagavati Aradhana* by Acharya Shivarya. It describes how a person consumed by anger undergoes visible physical changes: their complexion turns blue, their bodily radiance diminishes, and they become agitated by an inner fire. Their throat dries up, and their body begins to tremble. Due to anger, their eyebrows furrow, creating three lines on the forehead, and their eyes become red, wide, and bulging. In this state, an angry person becomes terrifying to others, resembling a demon. The text further illustrates the self-destructive nature of anger through a metaphor: a person who, in a fit of rage, picks up a hot iron ball to harm another will burn their own hand first, causing injury to themselves before any harm can be done to the other person. Thus, whether or not the angry person succeeds in harming another, they inevitably cause harm to themselves first. The commentary is attributed to Pandit Kailashchandra Siddhantashastri.

Conclusion

The document underscores that anger is not merely an emotional disturbance but a self-destructive force with tangible physical and psychological consequences. It describes how an angry person’s complexion pales, eyes redden, and body trembles, making them appear fearsome to others. The key implication is that anger harms the one who harbors it before it can affect anyone else, as illustrated by the metaphor of grasping a hot iron rod—the aggressor burns their own hand first. This outcome emphasizes the futility of rage, suggesting that personal discipline and emotional regulation are essential for well-being. The text thus serves as a cautionary guide, urging individuals to recognize anger’s immediate and inevitable self-injury, thereby promoting inner peace and rational conduct over destructive impulses.

Article order

In this issue

Vol. 25 · No. 0
6प्रकाशकीय8-13सम्पादकीयआचार्य शिवार्य, शिवकोटि, ड. ज्योतिप्रसाद जैन, डॉ. हीरालाल जैन, अपराजित सूरि, श्री विजय, आशाधर, आचार्य अमितगति, पण्डित आशाधर, देवसेन, प्रभाचन्द्र, ब्रहमने14-17'भगवती आराधना' के रचनाकार आचार्य शिवकोटिआचार्य शिवकोटि, शिवकोटि, शिवकोटि मुनि, शिवकोटि आचार्य, शिवकोट्याचार्य, शिवार्य, शिवभूति18-29भगवती आराधना और संवेग रंगशालाप्रो. (डॉ.) श्रीमती पुष्पलता जैन30-46भगवती आराधना में वर्णित द्वादश भावनाओं का स्वरूपडॉ. राजेन्द्रकुमार बंसल, डॉ. हीरालाल जैन47अप्पपसंसं परिहरहपण्डित कैलाशचन्द्र सिद्धान्तशास्री48-55आचार्य शिवार्य-कृत 'भगवती आराधना' में समाधिमरणडॉ. प्रेमचन्द्र रावका56-71'भगवती आराधना' में समाधिमरण की आराधना विधिडॉ. भागचन्द्र “भास्कर '72-84शिवार्यकृत भगवती आराधना में चित्रित “समाहित चित्त” का स्वरूप एवं उपयोग : सल्लेखना के परिप्रेक्ष्य मेंडॉ. पी. सी. जैन85जो जारिसीय मेत्ती केरइपण्डित कैलाशचन्द्र सिद्धान्तशास्त्र86-96भगवती आराधना में प्रतिपादित मरण-समाधि-सल्लेखनाडॉ. कस्तूरचन्द्र “सुमन97मेत्ति खमिदव्वंआचार्य शिवार्य, पण्डित कैलाशचन्द्र सिद्धान्तशास्त्री98-104परवर्ती जैन हिन्दी काव्य पर 'भगवती आराधना' का प्रभावडॉ. वीरसागर जैन105सो डज्झदि व ण वा परोपण्डित कैलाशचन्द्र सिद्धान्तशाखरीCurrent article

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.