विजय नाहटा की कविताएं
Summary
The text presents a philosophical exploration of moksha (liberation) and the nature of the divine. It describes moksha as a state beyond sensation, desire, and experience, where nothing remains to be known or attained. In this state, no wave of residual feeling arises, and the divine sits in a realm of motionless, unchanging, dense silence. The poem questions how a god residing in such a state can perceive the divinity, depth, sweetness, and sanctity of moksha, given that no ray of awareness glimmers in the ocean of sensation. It reflects on whether the divine becomes utterly helpless at the pinnacle of such stillness. The text then shifts to a meditation on time, describing it as a silent, continuous flow that creates an unstruck sound. This flow is beginningless, immeasurable, and infinitely wide. Individual moments are fragments of this vast expanse, where beings briefly sparkle into existence. Life is compared to a golden-winged bird that alights on a water current, is polished and shaped by the flow, and then repeatedly flies off into the void, only to be created anew. Despite this cycle, poetry persists, like unknown ruins of civilizations. It remains as a tender sprout emerging from a damaged clay pot amidst the remnants of destruction, or like a lighthouse flame flickering in the dark ocean of time. Poetry is depicted as something that is repeatedly excavated from inner ruins yet always survives, continuously creating itself anew.
Conclusion
The poems explore the profound implications of a state beyond desire, sensation, and experience—a vision of moksha where even the divine becomes silent and motionless. This outcome suggests that ultimate liberation is not a realm of blissful awareness but a vast, tranquil emptiness. The metaphor of the "time-waterfall" reinforces the idea of an eternal, impersonal flow in which individual lives are fleeting sparks. Yet, despite this cosmic indifference, poetry persistently emerges from the ruins of civilizations and the debris of destruction, like a tender sprout from a broken pot. The document implies that while moksha represents the pinnacle of spiritual attainment, the creative impulse—poetry itself—remains an indestructible, luminous force that continually rebuilds meaning within the void.