Sambodhi | Aryan Culture

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Sambodhi

Vol. XXXVII

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Sambodhi

' भूयोविद्य: ' 'स्थिरपीत: ' વિદ્વાન શ્રી નગીનભાઈ શાહ

By Lakshmesh Joshi

' भूयोविद्य: ' 'स्थिरपीत: ' विद्वान, શ્રી નગીનભાઈ શાહ લક્ષ્મેશ જોષી “ત્યાયશાસ્રની એક હસ્તપ્રત મેં જોઈ છે. તમે તેનું સંપાદન કરશો તો એક સાહું પુસ્તક ' ઉમેરાશે!” - આવા અર્થના શબ્દો, જયારે હું નગીનભાઈને,…

2014Vol. XXXVIIpp. 93-95

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Aryan Culture

Sambodhi

Vol. 8 · No. 1-4

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‘Exists’ and ‘Predicate’

By J. L. Shaw

“‘Exists’ and ‘Predicate’” by J. L. Shaw tackles a fundamental question in philosophy of language: whether the word ‘exists’ functions as a predicate. The article surveys arguments against treating…

April 1979 to January 1980Vol. 8 · No. 1-4pp. 103-109

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Aryan Culture

Sambodhi

Vol. 28

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Sambodhi

'Karttari' ke Sutron ki Samiksha

By Kamleshkumar Ch. Choksi

This article delves into the grammatical and philosophical examination of a set of aphorisms known as the ‘Karttari Sūtras’, which concern constructions where the agent performs the action. The…

2005Vol. 28pp. 115-122

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Aryan Culture

Sambodhi

Vol. 13 · No. 1-4

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'Kasiraja' of Bhasa - An Appraisal

By Sudarshan Kumar Sharma

Sudarshan Kumar Sharma’s article investigates the enigmatic figure referred to as ‘Kasiraja’ in two plays attributed to the ancient dramatist Bhasa—“Pratijna‑Yaugandharayana” and “Avimaraka”. The…

April 1984 - March 1985Vol. 13 · No. 1-4pp. 57-72

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Aryan Culture

Sambodhi

Vol. 20

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Sambodhi

'Niravasita' (Panini 2.4.10)

By M. Srimannarayana Murti

M. Srimannarayana Murti analyses Panini’s grammatical rule 2.4.10, which prescribes a singular case ending for samahara dvandva compounds denoting ‘unexpelled’ (aniravasita) sudras. He explains…

1996Vol. 20pp. 43-61

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Aryan Culture

Sambodhi

Vol. 24

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Sambodhi

‘Tatparya’ in Bhoja

By Tapasvi Shambhuchandra Nandi

Focusing on Bhoja’s theory of tātparya (the intended meaning of a sentence), this article builds on Dr Raghavan’s exposition and examines the textual passages in Bhoja’s writings. After quoting a…

2001Vol. 24pp. 17-29

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Aryan Culture

Sambodhi

Vol. 19

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‘त्रिवेन्द्रम्‑रूपक’ मां सन्स्कारुपनो विशेष विनियोग

By Vasantkumar M. Bhatt

Written in Gujarati, this article examines the play ‘Trivendram‑Rūpaka’ and its distinctive use of rhetorical devices or *saṃskāra*. After outlining the play’s plot and characters, the author…

1994-1995Vol. 19pp. 112-122

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Aryan Culture

Sambodhi

Vol. 36

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Sambodhi

‘धम्म’ एक मात्र ताराणहार : पुस्तक की समीक्षा

By Sagarmal Jain

यह लेख "धम्म एक मात्र ताराणहार" नामक पुस्तक की समीक्षा प्रस्तुत करता है। पुस्तक में लेखक ने यह सिद्ध करने का प्रयास किया है कि धम्म, या धार्मिक–नैतिक आचरण, ही जीव को संसार के बंधनों से मुक्त करा सकता…

2013Vol. 36pp. 289-294

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Aryan Culture

Sambodhi

Vol. XXXVII

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'संस्कृत की वैज्ञानिकता' तथा व्याकरणशास्त्र को पतंजलि की देन

By Yogini Himanshu Vyas

संस्कृत की वैज्ञानिकता' તથા व्याकरणशास्त्र को पतझ्नलि की देन योगिनी हिमांशु व्यास 'ऋग्वेद' की इस ऋचा' का व्याकरणपरक अर्थघटन करके મેધાવી वैयाकरण પતગ્ઞલિ ने संस्कृत व्याकरण के अध्ययन का महत्त्व स्पष्ट…

2014Vol. XXXVIIpp. 81-87

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Aryan Culture

Sambodhi

Vol. 24

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‘અભિનશાનશકુંતલ’ ની અપૂર્વ નવીનતા

By Vasantkumar M. Bhatt

Written in Gujarati, this article analyses the celebrated Sanskrit drama Abhijñānaśākuntalam and identifies elements that make it uniquely innovative. The author reviews the play’s plot—King…

2001Vol. 24pp. 35-45

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Aryan Culture

Sambodhi

Vol. 21

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Sambodhi

'અવલોકન'

By Jayant Prem Thaker

The “Avlokaṇ” section, presented in Hindi and Gujarati, reviews a work on traditional Prakrit grammar and its relationship to the Ardhamāgadhī language. It discusses a book titled “Parampraagat…

1997-98Vol. 21pp. 180-182

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Aryan Culture

Sambodhi

Vol. 39

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Sambodhi

“उत्तराध्ययन‑सूत्र” की पाण्डुलिपियों में चित्रित रूपाकृतियाँ

By Rajendra Prasad

The extracted text appears to be a corrupted or improperly extracted PDF file containing fragmented text, symbols, and garbled characters, making it impossible to derive meaningful content for…

2015Vol. 39pp. 132-141

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Sambodhi

Vol. 38

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“કથકલી” – અભ્યાસ અને અર્થઘટન

By Bhimji Khachariya

The article “કથકલી – અભ્યાસ અને અધ્યયન” (Kathakali – Study and Analysis) by Bhimji Khairiya examines the historical development, aesthetic structure, performance techniques, and cultural significance…

2015Vol. 38pp. 188-193

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Aryan Culture

Sambodhi

Vol. 15

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"દેશનામમાળા": તેનું ક્ષેત્ર, સ્વરૂપ અને મહત્વ

By Ratilal N. Mehta

આ PDFમાં હેમચંદ્રાચાર્ય અને અણહિલવાડ પાટણના ઈતિહાસ અને સાંસ્કૃતિક મહત્વનું વિશ્લેષણ છે. ધંધુકામા (વિ. સં. ૧૧૪૫-૧૦૮૯) જન્મેલા હેમચંદ્રાચાર્યની દીક્ષા વિ. સં. ૧૧૫૦થી ૧૧૫૪ના દાયકામાં થઈ હતી. તેઓના…

December - 1989Vol. 15pp. 65-76

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Aryan Culture

Sambodhi

Vol. 32

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“વિક્રમોર્વશીય”ના નાન્દીશ્લોકનું કાવ્યાર્થसૂचકત્વ : અ... (Atharvaveda 2.2 perspective)

By Sameerkumar K. Prajapati

This essay provides a close reading of the Nandi śloka—the opening benedictory verse—of Kālidāsa’s drama ‘Vikramorvaśīyam’ from the perspective of Atharvaveda 2.2. The author explains the traditional…

2009Vol. 32pp. 134-143

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Aryan Culture

Sambodhi

Vol. 27

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Sambodhi

(E) Utopia and (E) Uchronia in Trisasti‑Salaka‑Purusa‑Caritra

By Ram Krishna Bhattacharya

This study delves into the concepts of utopia and uchronia within the Jain hagiographical epic Trisasti‑Salaka‑Purusa‑Caritra, composed by the polymath Acharya Hemachandra in the 12th century. The…

2004Vol. 27pp. 37-49

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Aryan Culture

Sambodhi

Vol. 2 · No. 1

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Sambodhi

A Brief Survey Of The Iconographic Data At Kumbharia

By Maruti Nandan Prasad Tiwari

1. Śāntinātha Temple (11th century) Inscriptions date it to 1053 CE (Samvat 1110). Outer walls show three Jina figures and Yakṣīs (Cakreśvarī and Ambikā). Doorways and pillars have numerous goddess…

April 1973Vol. 2 · No. 1pp. 9 - 20

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Aryan Culture

Sambodhi

Vol. 7 · No. 1-4

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A Close Look at the Plot‑Construction of the Kadambari

By Vijay Pandya

Banabhaṭṭa’s Kadambari is a celebrated Sanskrit romance known for its intricate narrative structure. In this essay the author scrutinises how the plot is constructed across the Purvabhāga and…

April - 1978 to January - 1979Vol. 7 · No. 1-4pp. 75-82

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Aryan Culture

Sambodhi

Vol. 5 · No. 4

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Sambodhi

A Comparative Study of Dhvani-Kavya and Various Ragas in Music, in the Production of the Sentiments

By Roopa Kulkarni

In this interdisciplinary essay, Roopa Kulkarni compares two art forms – poetry and music – to explore how they evoke rasa, the aesthetic experience of sentiment. On the literary side, she discusses…

1976Vol. 5 · No. 4pp. 31-37

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Aryan Culture

Sambodhi

Vol. 6 · No. 3-4

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A Critical Note on the Word Kagini

By P. M. Upadhye

P. M. Upadhye investigates the Prakrit term ‘kagini’ in Vimalasuri’s Paumacariya. The word appears twice in lists of the fourteen jewels of a universal monarch. Earlier commentators glossed it as a…

October 1977 - January 1978Vol. 6 · No. 3-4pp. 80-83

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