Browse articles

Jainism's Influence on Indian Art and Architecture

By Bessie Craig

Vol. 2 · No. 4November 2021pp. 4English

Summary

Jainism, a trans-theistic religion emphasizing non-violence toward all living beings, has significantly shaped India's art and architecture. Originating in the 6th century BCE with Mahavira, who renounced his royal life to become an ascetic, Jainism's influence on architecture is evident in temples and monasteries, particularly in western India. Early Jain monuments often followed Brahmanical Hindu temple plans, with simple designs serving as spaces for worship and monastic communities. Artisans during this period belonged to non-denominational guilds, offering services across religious traditions, leading to stylistic variations based on regional and temporal factors rather than strict religious affiliation. Notable examples include the Khandagiri and Udayagiri Caves near Bhubaneswar, among the earliest Jain-influenced structures. While Jain temples in Corpus Christi are rare, the broader impact of Jain principles on India's artistic and architectural heritage remains profound, blending spiritual ideals with regional artistic traditions.

Conclusion

The document highlights Jainism's profound impact on India's art and architecture, particularly through its emphasis on non-violence and asceticism, which shaped temple designs and monastic structures. Early Jain monuments, often based on Brahmanical Hindu temple plans, were primarily concentrated in western India, with notable examples like the Khandagiri and Udayagiri Caves near Bhubaneswar demonstrating the fusion of religious and regional styles. The text notes that ancient Indian artists, often part of non-denominational guilds, adapted styles based on local and temporal influences rather than strict religious affiliations. This cross-pollination of artistic traditions underscores Jainism's role in fostering a shared cultural heritage, blending seamlessly with Hindu and Buddhist elements. The document suggests that while Jain architecture has left a lasting legacy, its presence in regions like Corpus Christi remains limited, pointing to regional disparities in its influence.

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Continue reading

Related articles

Vedanta Kesari

SPIRITUALITY THE CORE OF INDIAN ART (Sep )

By SMT. JAYANTHI VARMA

Sep 2017
Sambodhi

ART AND ARTISTS IN ANCIENT INDIA – A SOCIOLOGICAL INQUIRY

By Poonam Gandhi-Moirangthem

2007
Jinamanjari

Harappa and Jainism

By Thillaisthanam Natarajan Ramachandran

1996
Sambodhi

A note on the Jina Image from Meḍatā, Rajasthan

By M. A. Dhaky

2013
Sambodhi

Art Notes on Design‑Drawing, Painting and Picture‑Galleries in the Tilakamañjarī

By Narayan M. Kansara

July - 1972