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चन्द्रप्रभ स्तुति

By चन्द्रप्रभ, महाकवि पुष्पदन्त

Vol. 02 · No. 01April 1985pp. 16Hindi

Summary

The text is a Jain religious hymn or stuti dedicated to Chandraprabha, the eighth Tirthankara. It begins with a salutation to Chandraprabha, describing him as the moon among Jinas and the one who dispels darkness. The hymn praises his virtues, stating that he has conquered passions and is adorned with qualities like compassion, generosity, and protection of all beings. It describes him as having a pure mind, free from pride and delusion, and as a supreme being who overcomes great difficulties. The text also references the destruction of karmic bonds and the attainment of true knowledge. The hymn mentions that even the king of gods (Indra) worships him. It further describes Chandraprabha's physical form as worthy of being seen by Indra, with a body that is pure and radiant. The poet, identified as the great poet Pushpadanta, declares that he sings this ancient Purana, specifically the Ganesha Gita, in praise of Chandraprabha. The hymn includes a refrain (dhruvaka) that speaks of offering worship with beautiful words and lotus-like syllables. The overall content is a devotional eulogy, rich in metaphorical language, extolling the spiritual qualities and divine nature of Chandraprabha, and seeking to honor him through poetic recitation.

Conclusion

The implications of this document center on the preservation and transmission of Jain devotional literature, specifically the Chandraprabha Stuti by the great poet Pushpadanta. The text, a hymn of praise to the Jina Chandraprabha, employs rich metaphorical language to describe the Tirthankara's virtues, such as his compassionate nature, pure conduct, and power to dispel darkness and karmic afflictions. The outcome is the continued liturgical and literary use of this stuti within Jain tradition, serving both as a meditative tool for devotees and as a linguistic artifact of the Apabhramsha language. By recording this hymn, the document ensures that the spiritual and cultural significance of Chandraprabha, along with the poetic artistry of Pushpadanta, remains accessible for scholarly study and religious practice, reinforcing the enduring legacy of Jain hymnody.

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In this issue

Vol. 02 · No. 01
1-3प्रास्ताविक04-05प्रकाशकीयकपूरचन्द पाटनी06-08आरम्भिक09-15महाकवि पुष्पदन्त : व्यक्तित्व और कर्तृत्वडां०° आदित्य प्रचण्डिया16चन्द्रप्रभ स्तुतिचन्द्रप्रभ, महाकवि पुष्पदन्तCurrent article17-24अपभ्रंश के संवेदनशील महाकवि पुष्पदंतडां० देवेन्रकुमार શાસ્ત્રी25-32महाकवि पुष्पदंत और उनका काव्यडं° योगेन्नाथ शर्मा33-42पुष्पदंत की भाषाडॉ० कलाशचन्द्र भाटिया43-49महापुराण की काव्यभाषाडॉ० श्रीरंजनसुरिदेव50शब्द प्रणामपण्डित विष्णुकान्त शुक्ल51-63महापुराण के रामायण खण्ड की बिम्ब-योजना64-64लोभी जीव65-72महाकवि पुष्पदंत द्वारा रचित महापुराण की बिम्ब-योजनाडॉ० गदाघरसिह73-78पुष्पदंत और सुरदास (वात्सल्य)डं ० प्रेमसागर जेन79-89जैन रामकथाओं के परिप्रेक्ष्य पुष्पदन्त की रामकथासुशो प्रीति जेन90-90जीवन की क्षणभंगुरता91-96महाकवि पुष्पदंत का दार्शनिक ऊहापोहडा० भागचद जन “भास्कर97-100महाकवि पुष्पदंत के आदिपुराण की एक सचित्र पाण्डुलिपिराँ कस्तू रचन्द कासलीवाल101-106महाकवि पुष्पदंत की रचनाओं की राजस्थान में लोकप्रियतापं ध्न्पकम्द न्यायतीयथ107-108आणदाडॉ० देवेन्द्रकुमार शास्त्री109-111भूमिकादेवेन्द्कुमार शास्त्री112-121आणंदा129-134जैनविद्या संस्थान, श्रीमहावीरजी135-140जैनविद्या का स्वयंभू विशेषांक : विद्वानों की दृष्टि में141-142साहित्य-समीक्षाUnexhibited

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