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महाकवि पुष्पदंत और उनका काव्य

By डं° योगेन्नाथ शर्मा

Vol. 02 · No. 01April 1985pp. 25-32Hindi

Summary

The extracted text discusses the history and development of Prakrit languages, noting that scholars have recognized the existence and prevalence of Prakrit as a vernacular language alongside Sanskrit from 500 BCE to 1000 CE. It explains that Prakrit languages were initially classified as first, second, and third Prakrit, later named Pali, Prakrit, and Apabhramsha. The text states that Apabhramsha literature began around the 5th century CE, with the poet Svayambhudeva's work "Paumacariu" considered the earliest Apabhramsha composition, though earlier poets like Catumukha are mentioned. The focus then shifts to the poet Pushpadanta, who is regarded as a major figure in Apabhramsha literature after Svayambhudeva. His work "Mahapurana" is described as a significant Apabhramsha text that depicts Jainism, Jain philosophy, culture, society, and art, while also including stories of Rama and Krishna from Hindu tradition. The text provides biographical details about Pushpadanta, stating he was originally a Brahmin of the Kashyapa gotra and a Shaiva follower who later converted to Jainism. His parents are named as Keshavabhatta and Mugdha Devi. The text notes that some scholars, like Nathuram Premi, consider the author of the "Shivamahimnastotra" to be a different Pushpadanta. Pushpadanta is identified as a poet under the patronage of the Rashtrakuta king Krishna III, composing "Mahapurana" under the patronage of minister Bharata. His other works include "Nayakumaracariu" and "Jasaharacariu," written for Bharata's son Nanna. The text mentions that Pushpadanta had titles like "Abhimanamaru," "Kavyaratnakara," and "Sarasvatinilaya," indicating his poetic skill and popularity. He is described as proud, intense, and solitary, preferring to eat grass in mountain caves rather than

Conclusion

The analysis of Mahakavi Pushpadant and his works, particularly the *Mahapurana*, reveals his pivotal role in Apabhramsha literature and his enduring influence on subsequent Ram and Krishna narrative traditions. His self-respecting, uncompromising nature, evident in his refusal to seek royal favor, underscores a poet dedicated to spiritual and artistic integrity rather than material gain. The *Mahapurana* stands as a monumental synthesis of Jain doctrine, Hindu epic themes, and sophisticated poetic craft, employing classical literary conventions while innovating within the Puranic framework. Pushpadant’s broad, syncretic religious outlook, his mastery of multiple *rasas*, and his rich use of *alankaras* establish him as a figure of lasting significance. This study confirms that his work not only enriched Apabhramsha literature but also served as a vital cultural bridge, shaping the literary and religious landscape of medieval India.

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In this issue

Vol. 02 · No. 01
1-3प्रास्ताविक04-05प्रकाशकीयकपूरचन्द पाटनी06-08आरम्भिक09-15महाकवि पुष्पदन्त : व्यक्तित्व और कर्तृत्वडां०° आदित्य प्रचण्डिया16चन्द्रप्रभ स्तुतिचन्द्रप्रभ, महाकवि पुष्पदन्त17-24अपभ्रंश के संवेदनशील महाकवि पुष्पदंतडां० देवेन्रकुमार શાસ્ત્રी25-32महाकवि पुष्पदंत और उनका काव्यडं° योगेन्नाथ शर्माCurrent article33-42पुष्पदंत की भाषाडॉ० कलाशचन्द्र भाटिया43-49महापुराण की काव्यभाषाडॉ० श्रीरंजनसुरिदेव50शब्द प्रणामपण्डित विष्णुकान्त शुक्ल51-63महापुराण के रामायण खण्ड की बिम्ब-योजना64-64लोभी जीव65-72महाकवि पुष्पदंत द्वारा रचित महापुराण की बिम्ब-योजनाडॉ० गदाघरसिह73-78पुष्पदंत और सुरदास (वात्सल्य)डं ० प्रेमसागर जेन79-89जैन रामकथाओं के परिप्रेक्ष्य पुष्पदन्त की रामकथासुशो प्रीति जेन90-90जीवन की क्षणभंगुरता91-96महाकवि पुष्पदंत का दार्शनिक ऊहापोहडा० भागचद जन “भास्कर97-100महाकवि पुष्पदंत के आदिपुराण की एक सचित्र पाण्डुलिपिराँ कस्तू रचन्द कासलीवाल101-106महाकवि पुष्पदंत की रचनाओं की राजस्थान में लोकप्रियतापं ध्न्पकम्द न्यायतीयथ107-108आणदाडॉ० देवेन्द्रकुमार शास्त्री109-111भूमिकादेवेन्द्कुमार शास्त्री112-121आणंदा129-134जैनविद्या संस्थान, श्रीमहावीरजी135-140जैनविद्या का स्वयंभू विशेषांक : विद्वानों की दृष्टि में141-142साहित्य-समीक्षाUnexhibited

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