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गीता और कालिदास

By Gautam Patel

Vol. 3 · No. 2-3July - October - 1974Hindi

Summary

In this Hindi essay the author explores philosophical parallels between the Bhagavad Gītā and the works of the classical poet Kālidāsa. The article argues that both the Gītā and Kālidāsa’s epics and plays present a harmonious integration of dharma (duty), kama (desire) and mokṣa (liberation). By analysing passages from the Raghuvaṃśa, Kumārasambhava and Abhijñānaśākuntalam, the author notes that Kālidāsa’s heroes often face moral dilemmas similar to those of Arjuna in the Gītā, balancing worldly responsibilities with spiritual aspirations. The essay points out that themes of detachment, devotion, and righteous action pervade Kālidāsa’s narratives: for instance, King Raghu embodies selfless leadership reminiscent of Krishna’s counsel to Arjuna, while the love story of Śakuntalā illustrates the transformative power of devotion. The author further suggests that Kālidāsa may have drawn on the Gītā’s discourse on yoga to shape his portrayal of ideal characters, emphasising equanimity and inner freedom. By comparing specific verses, the essay shows how the metaphors of the Gītā—such as the chariot, the battlefield of life, and the destruction of ignorance—resonate in Kālidāsa’s poetic imagery. The article also examines the reception of both works in Sanskrit literary criticism, highlighting how commentators from different eras interpreted their moral messages. Ultimately, the study demonstrates that the Bhagavad Gītā and Kālidāsa’s oeuvre reflect a shared cultural and philosophical milieu in which poetic beauty and spiritual insight reinforce one another. Through its comparative approach, the essay encourages readers to appreciate the subtle interplay between epic scripture and classical poetry in shaping Indian aesthetics and ethics.

Conclusion

The essay concludes that the Bhagavad Gītā and Kālidāsa’s works are complementary in their exploration of duty, devotion and liberation. By demonstrating thematic parallels, the author shows that Kālidāsa wove the Gītā’s philosophical insights into his poetry, thereby offering readers a synthesis of aesthetic pleasure and spiritual teaching. The comparison enriches our understanding of Indian literary and philosophical traditions.

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