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Akho: The poet of protest in the seventeenth century Gujarat

By R. L. Raval

Vol. 181992-93pp. 54-60English

Summary

R. L. Raval’s article profiles the seventeenth‑century Gujarati poet Akho (Akha Bhagat), placing him in the socio‑cultural context of Mughal‑era Gujarat. Although Gujarat was prosperous under Mughal rule, society was marked by rigid hierarchies and religious orthodoxy. Akho’s poetry served as a protest against these injusticesfile:///home/oai/share/520768%20(18)%201-170_compressed.pdf#:~:text=AKHO%20%3A%20THE%20POET%20OF,thriving%20ports%20like%20Cambay%20and. Raval provides a biographical sketch of Akho, an artisan who composed six‑line ‘chhappa’ verses combining vernacular language with profound insight. He analyses poems in which Akho criticises caste arrogance, ritualism and hypocrisy, emphasising inner purity and humility. Raval shows how Akho draws on bhakti traditions and satirically addresses both Hindu and Jain audiences, urging them to transcend sectarian pride. The article highlights Akho’s use of irony and humour and situates his work within a wider pattern of vernacular protest literature. It concludes that Akho’s legacy lies in his ability to blend spiritual devotion with social critique, inspiring later reformers and remaining popular in folk performance.

Conclusion

Raval demonstrates that Akho’s poetry goes beyond devotion to challenge social inequities. The chhappas expose hypocrisy and casteism and call for genuine spirituality, making Akho a pioneer of Gujarati protest literaturefile:///home/oai/share/520768%20(18)%201-170_compressed.pdf#:~:text=AKHO%20%3A%20THE%20POET%20OF,thriving%20ports%20like%20Cambay%20and. His enduring popularity shows the power of satire and vernacular expression in advocating social justice.

Article order

In this issue

Vol. 18
1-32Bhartrhari’s Perspectivism (3): On the Structure of the third Kanda of the VakyapadiyaJan E. M. Houben33-43Natyasastra and Indian TheatreRadhavallabh Tripathi44-47Later Paramaras of AbuRam Vallabh Somani48-53The Apabhramsa Passages of the DharmaratnakarandakaHarivallabh Chunilal Bhayani54-60Akho: The poet of protest in the seventeenth century GujaratR. L. RavalCurrent article61-70The concept of change, as treated in BuddhismBhavana Trivedi71-73The Jaina View of DarknessHimanshu Shekhar Acharaya74-76The Date of the Devendrastava: An Art-Historical ApproachLalit Kumar77-84Indian Concepts of Time and ArchaeologyRatilal N. Mehta85-88भारतीय दर्शन में अभाव की समस्याHemlata Srivastava89-91લાડોલની આરસની જિનપ્રતિમાઓના દસ અભિલેખLakshmanbhai Bhojak92-95કિશોરલાલ મશરૂવાળાનો કર્મિવિચારMadhusudan Baxi96-100કવિ લીંબોકૃત ઝષભદેવ ફાગ : એક પરિચયKanubhai V. Sheth101-102હાસલપુર (સા.કાં.)નો સપ્તમાતૃકાપટ્ટ - નવીન ઉપલબ્ધિRambhai Thakar Savaliya103-122शुभविजयगणिकृता प्रमाणनयतत्त्वप्रकाशिका स्याद्वादभाषाNarayan M. Kansara123-124ચોલુક્ય ભીમદેવ બીજાનું અપ્રસિદ્ધ તામ્રપત્ર (વિ.સં. ૧૨૬૩)Lakshmanbhai Bhojak125-125Review: Prof. K. D. Bajpai Commemoration Volume 2Narayan M. Kansara125-127ReviewNarayan M. Kansara126-127Review: Samskrta Shataka-Parampara Aura Acharya Vidyasagara ke SatakaNarayan M. Kansara128-130Review: The Clever Adulteress and Other Stories: A Treasury of Jain LiteratureNarayan M. Kansara131-131Review: Materials for an Edition and Study of the Pinda- and Oha-Nijjuttis of the Svetambara Jain TraditionNarayan M. Kansara134-135Review: Bhoja and Haravijaya of Sarvasena by Dr. V. M. KulkarniNarayan M. Kansara136-136Review: The Dharma-ratna-karandaka of VardhamanasiiriNarayan M. Kansara137-139Review: A Treasury of Jain TalesNarayan M. KansaraThe Astrological Works of DasabalaNarayan M. Kansara

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