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Iconography of some minor deities in Jainism

By Ashok Bhattacharya

Vol. 29 · No. 4December - 1953pp. 332-339English

Summary

This study surveys the iconography of minor Jain deities, focusing on Yaksas and Yaksinis who serve as guardians to the Tirthankaras. Jainism assimilated many deities from Brahmanic traditions, adapting their attributes and rolesfile:///home/oai/share/563029_compressed-327-430.pdf#:~:text=Tconography%20of%20some%20Minor%20Deities,thetr%20peculiar%20iconography%20and%20functions. The Yaksa Sarvahna is described as the presiding deity of the temple flag‑hoisting ceremony; Svetambara texts depict him seated on an elephant with folded hands, while Digambara tradition shows him four‑armed with a goad and noosefile:///home/oai/share/563029_compressed-327-430.pdf#:~:text=Trilokasara%20of%20the%2010th%20cent,%E0%AB%AC%E0%AB%A6%20Neminitha%2C%20except%20for%20the. Brahmasanti Yaksa, associated with Santinatha, has a grey complexion, wears a jatamukuta and sits on a bhadrasana; he holds a rosary, staff, water pot and umbrella, and his vahana is a swanfile:///home/oai/share/563029_compressed-327-430.pdf. Manuscript illustrations portray him with four arms holding an umbrella, book, staff and showing the varada gesturefile:///home/oai/share/563029_compressed-327-430.pdf#:~:text=Brahma%24inti%20Yaksa%20measuring%202,figure%20in%20%E0%A4%98%E0%A4%BE%E0%A4%9F%20portrait%2015. The article also examines Harinaigamesa (Naigamesa), described as Indra’s attendant with a human body and goat‑like head and revered as protector of childrenfile:///home/oai/share/563029_compressed-327-430.pdf#:~:text=Harinaigamesa%20or%20Naigamesa%20Naigamesa%2C%20or,constant%20benefactor%20of%20the%20Arhats. By analysing textual prescriptions from works such as the Trilokasara, Nirvanakalika and Jainacitrakalpadruma and comparing them with sculptures, the author demonstrates how the iconography of minor deities varies across Svetambara and Digambara traditions. The discussion highlights syncretic influences and shows that these minor deities held an important place in Jain ritual practice and art.

Conclusion

By cataloguing the forms of Sarvahna, Brahmasanti and Harinaigamesa, the article shows that minor Jain deities are depicted with diverse attributes and vahanas reflecting both sectarian and regional traditions. Understanding these variations aids identification of sculptures and illustrates how Jainism adapted popular deities from Hinduism, enriching its ritual and artistic landscape.

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