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Prakasavarsa and his Rasarnavalankara

By V. Venkatarama Sharma

Vol. 5 · No. 4December - 1929pp. 1-41English

Summary

Prakasavarsa, a Sanskrit poet and rhetorician from the 8th century CE, is attributed with the *Rasarnavalankara*, a critical work on poetics preserved in two manuscripts: a palm-leaf version (circa 350 years old) from the Adyar Theosophical Society and a later paper copy from the Madras Oriental Manuscript Library. The text contains five chapters covering *doga*, *guna*, *alankara*, *arthalankara*, and *rasa*, though the fifth chapter appears incomplete and inconsistent, suggesting textual imperfections. Despite its gaps, the work reflects a structured approach distinct from contemporaries like Bhamaha and Dandin, though parallels exist. Prakasavarsa’s authorship is confirmed by colophons in the third and fifth chapters. He is also credited with verses in *Subhasita* collections, including Vallabhadeva’s *Subhasitivali*, and a commentary on Bharavi’s *Kiratirjuniya*. Scholars debate his timeline, placing him post-Bhamaha (7th–8th century CE) but before Dandin (8th century CE). The *Rasarnavalankara* cites earlier works like Bana’s *Gadya Vidha*, reinforcing its late 8th-century context. While the text contains errors and omissions, it remains a valuable, though incomplete, contribution to *alankara* literature.

Conclusion

Prakasavarsa's *Rasarnavalankara* represents a significant yet enigmatic contribution to Sanskrit poetics, bridging the traditions of Bhamaha and Dandin. While its authorship is inferred from colophons in key chapters, the work's incomplete fifth chapter and textual inconsistencies complicate its interpretation, suggesting potential gaps in transmission. The treatise systematically addresses poetic devices like *doga*, *guna*, and *rasa*, yet its brevity and unexplained shifts in focus—particularly in the final chapter—hint at an unfinished or corrupted manuscript history. Despite these challenges, the work's structured approach and parallels with contemporary rhetoricians underscore its role in the evolution of *alankara* theory, offering a valuable, if imperfect, window into early medieval literary thought. Its unresolved questions of chronology and textual integrity invite further scholarly scrutiny to clarify its place within the canon.

Article order

In this issue

Vol. 5 · No. 4
1-41Prakasavarsa and his RasarnavalankaraV. Venkatarama SharmaCurrent article587-613Pusyamitra and the Sunga EmpireRamaprasad Chanda614-640The Machinery Of Administration As Depicted In The KauṭiliyaNarendra Nath Law641-645A Three-Headed Statue of Yamari from the District of DaccaNirad Bandhu Sanyal648-658Vedanta and the VedantistUmesh Chandra Bhattacharya659-665Topography in the Puranas �PnrusottamaksotraSashi Bhusan Chaudhuri666-676Birbhum and Western Bengal in the Eighteenth CenturyGottlieb L. Schanzlin676-692The Three Great Philosophers of KeralaK. Rama Pisharoti693-699A Bell-Capital from BhuvanesvaraAchyuta Kumar Mitra699-714Subandhu or Banabhatta - Who is earlier ?Shiva Prasad Bhattacharya715-721Taranatha's History of Buddhism in IndiaUnexhibited721-728Svapna-nataka and Svapna-vasavadattaV. Venkatarama Sharma728-753The Lumbini-Pilgrimage Record in Two InscriptionsSailendra Nath Mitra754-769On Some Tantrik Texts Studied in Ancient KambujaP. C. Bagchi770-780The Rasarnavalamkara of PrakrsavarsaSushil Kumar De780-783A Note on the Salaries and Allowances Detailed in the KautiliyaNarendra Nath Law784-785Dr. Acharya on "Fine Arts"Puran Chand Samsookha786-789Mr. Kavi's Edition of the Natya-SastraSushil Kumar De790-791Concerning Bhagavadgita III, 15F. Otto Schneider791-793Commentary on Saradatanaya's Bhavaprakasa is not a Myth but a RealityV. Venkatarama Sharma794-796Discovery of a Bone-Relic at an Ancient Centre o} MahayanaNalinaksha Dutt796-810Notes on DravidianL. V. Ramaswami Aiyar811Quotations from the TattvasamgrahaVidhushekhara Bhattacharya812-821ReviewsNalinaksha Dutt, U. N. Ghoshal, Giuseppe Tucci822-827Select Contents of Oriental JournalsUnexhibited828-829Obituary NoticeSudha Kanta De830-831BIBLIOGRAPHICAL NOTESUnexhibited

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