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तुलसीरमण की कविताएं

Vol. 49 · No. 05May - 2001pp. 46Hindi

Summary

A poem titled "Sapna" (Dream) opens the text, describing a swan that appears in sleep and a dream that can put even the waking to sleep, only to depart like a heron. The speaker reflects on staying awake in the heron's sorrow while the swan moves through the dark waters of time. Black ants are described under white umbrellas, and mushrooms on green grass, with silence stretching far. After many days, the sun emerges as a guest, shining on the earth's forehead with distinct, clear colors. In the sunlight, each blade of grass descends, and ants begin to swim in a water reservoir formed by animal hooves. Life floats in the dark waters of time amidst the bright colors of the afternoon. The text then shifts to a poem titled "Pandoh" by Vikas Buddhi. It describes how intelligence has blocked the path of the ever-flowing blue-white river, stopping it midway. The song of water has frozen like a blood clot in the earth's artery. The Vipasha river of sage Vashishtha is bound, trembling in anger. A deep green lake smolders slowly within, covered in ash—the fire of stones. The entire body crumbles, and the soul silently keeps cracking. The text concludes with a citation from Jain Bharati, May 2001.

Conclusion

The poem reflects on the tension between illusion and reality, using the contrasting symbols of the swan and the heron to explore themes of longing and unfulfilled desire. The swan represents an ideal, dreamlike state that remains elusive, while the heron embodies the mundane suffering of waking life. The imagery of blocked rivers and stagnant water suggests how human intervention disrupts natural flow, mirroring emotional and spiritual stagnation. The recurring motifs of time, color, and silence emphasize a world where vitality is suppressed, yet life persists in small, resilient forms like ants and grass. Ultimately, the poem implies that despite obstacles and the weight of time, existence continues to move and adapt, even when trapped between dream and reality.

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