Browse articles

आधुनिक कविता की आध्यात्मिकता

Vol. 52 · No. 09September - 2004pp. 20-26Hindi

Summary

The text explores the relationship between poetry, art, and spiritual experience in contemporary life. It questions whether modern humans, caught in the speed and chaos of daily existence, have the opportunity to pause and reflect on fundamental questions of life and meaning. The discussion references thinkers like Paul Tillich, who argues that modern humanity has lost the "dimension of depth," which he calls the lost dimension of religion. Similarly, Herbert Marcuse describes modern humans as "one-dimensional," having lost their true self and freedom in industrial society, a condition he terms "democratic unfreedom." The text posits that poetry and all art are fundamentally based on experience, specifically the process of experience, which is inherently spiritual. Drawing on Ivan Illich's concept of education, it distinguishes between the declared curriculum and the hidden curriculum, arguing that the process itself is the true education. Applied to poetry, this means the process of experience—the unity of subject and object, knower and known—is central. This unity is described as a spiritual process where the "other" transforms into the "self." The discussion contrasts Matthew Arnold, who sees poetry as a substitute for religion in the modern age, with T.S. Eliot, who criticizes modern literature as corrupted by secularism due to its focus on the natural over the supernatural. Arnold views religion as what connects humanity and gives life meaning, while Eliot defines it as belief in a supernatural being. The text aligns with Arnold's perspective, suggesting that poetry, through its process of unifying subject and object, can provide a spiritual experience even when focused on worldly subjects. It cites examples from poets like Rilke, Tagore, and Ajneya, whose works express deep spiritual experiences without being confined to any specific religion or sect. Tagore describes his religion as "a poet's religion," fluid and open, revealing the infinite light. The text argues that the core of any spiritual experience is this revelation, regardless of whether its object is a personal god, an impersonal reality, or the unity of the material world. It concludes that historical religions like Jainism and Buddhism,

Conclusion

The document’s analysis reveals that poetry and art function as spiritual processes, where the core experience is a unity between subject and object, akin to a meditative state. This implies that the true value of a poem lies not in its declared content but in its underlying process—its "hidden curriculum"—which facilitates a profound, connective experience. The outcome is a redefinition of spirituality itself, moving it away from institutional dogma and towards a universal, humanistic feeling of oneness with existence. Consequently, poetry is positioned as a modern substitute for religion, capable of providing meaning and connection in a fragmented world. This perspective challenges both secular and orthodox views, suggesting that authentic spiritual fulfillment is accessible through the very act of engaging with art.

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.