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Kuntaka's Conception of Guṇas

By Haradatta Sharma

Vol. 8 · No. 2June - 1932pp. 257-266English

Summary

This article offers a detailed examination of Kuntaka’s conception of guṇas—stylistic qualities that contribute to poetic excellence—in his treatise Vakrokti‑jīvita. Kuntaka, writing in Kashmir in the tenth century, is famous for his theory of vakrokti or oblique expression, according to which the essence of poetry lies in the creative deviation from ordinary speech. In addition to this core idea, he also discusses guṇas, which earlier rhetoricians such as Bhāmaha and Daṇḍin had enumerated. The author begins by surveying the guṇa doctrine from Bharata’s Nāṭyaśāstra through the works of Vāmana and Ānandavardhana, noting the lists of qualities like prasāda (clarity), ojas (vigour), mādhurya (sweetness), saṃhati (compactness) and sukumāratā (delicacy). Kuntaka accepts the traditional guṇas but interprets them through the lens of vakrokti. Each quality is seen as a specific mode of deviation: prasāda arises from graceful simplicity, ojas from energetic expressions, mādhurya from mellifluous words, saṃhati from syntactic density and sukumāratā from subtlety. The article analyses examples Kuntaka provides from classical Sanskrit poetry and shows how he connects guṇas to particular contexts, characters and emotional states. The critic also compares Kuntaka’s views with those of his contemporary Rājaśekhara and later commentators who often tried to reconcile competing schools of poetics. He demonstrates that, for Kuntaka, guṇas are not separate ornaments added to rasa but inherent in the poet’s imaginative use of language. By situating Kuntaka’s theory within the broader history of Sanskrit poetics, the author argues that the Kashmiri critic synthesised earlier guṇa lists and provided them with a psychological basis. His emphasis on deviation highlights the creative freedom of poets, while his attention to guṇas preserves the subtle distinctions of style cherished by traditional critics. Thus, Kuntaka emerges as an important link between the ornamentation school and the rasa‑dhvani school.

Conclusion

Kuntaka’s treatment of guṇas complements his theory of vakrokti and highlights the intricate relationship between style and meaning in Sanskrit poetry. By linking each quality to a mode of creative deviation, he offers a psychologically nuanced model that bridges earlier ornamentation theories and later rasa aesthetics.

Article order

In this issue

Vol. 8 · No. 2
241-246Mahaparinibbāna-sutta and CullavaggaLouis Finot247-252Tāranātha's History of BuddhismUnexhibited253-256Interpolations in the Bhāgavata PurānaAmar Nath Roy257-266Kuntaka's Conception of GuṇasHaradatta SharmaCurrent article267-271Fire-Arms in Ancient IndiaJogesh Chandra Roy272-278The Twin Gods AśvinauV. H. Vader279-293The Nature of the Mughal ConquestH. N. Sinha294-301The Rise of VijayanagaraBhaskar Anand Saletore302-304The Earliest Extant Account of Sher ShahDasharatha Sharma305-315New Plates of King Bhoja in the Indore Museum [Vikrama] Samvat 1079R. G. Ojha316-331CatustavaPrabhubhai Patel332-341Some Images and Traces of Mahāyāna Buddhism in ChittagongNarendra Nath Law342-350The Buddhist Manuscripts at GilgitNalinaksha Dutt352The Successor of Kumara Gupta 1Hem Chandra Raychaudhuri353-357Samudra in the RigvedaAmiya Kumar Chakravorty357-358The Rasa-pradipa and the Hrdaya-darpanaSushil Kumar De359-364Bangiya Sahitya ParisadChintaharan Chakravarti364-366A Note on Iron in the Rigvedic AgeManindra Nath Banerji367-370Note on GopalaA. C. Banerjee371-373Nalanda Stone Inscription of YasovarmadevaRamesh Chandra Majumdar373-375The Natyasastra and Bharata-muniMano Mohan Ghosh375MahanatakaT. K. Joseph376Lataka and LatyaT. K. Joseph377-379Notes on Asoka RescriptsSailendra Nath Mitra380Indra and PaniniB. N. Krishnamurti Sharma381-382A Note on CandraprajapatiHiralal B. Kapadia383-412ReviewsSushil Kumar De, Nalinaksha Dutt, U. N. Ghoshal, Dhirendra Chandra Ganguly, D. Bhattacharya, Niharranjan Roy, Surendra Nath Sen, R. N . Seal, Basanta Ranjan Roy413-421Select Contents of Oriental JournalsUnexhibited422-424Bibliographical NotesUnexhibited

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