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Catustava

By Prabhubhai Patel

Vol. 8 · No. 2June - 1932pp. 316-331English

Summary

The Catustava is a collection of four devotional hymns (stavas) that occupy a unique place in medieval Sanskrit religious literature. Each hymn is dedicated to a different aspect of the divine, weaving together themes from Vedānta philosophy and bhakti devotion. This article presents a critical examination of the Catustava, drawing on multiple manuscripts to establish an accurate text and to explore its theological implications. The author describes the structure of the work: the first hymn praises the transcendental Brahman beyond qualities; the second celebrates the cosmic form of Viṣṇu; the third addresses the inner teacher (antaryāmin); and the fourth expresses devotion to the personal lord manifested in incarnations. The hymns employ metres such as śloka and āryā and are rich in imagery drawn from the Upaniṣads, the Bhagavad Gītā and Purāṇas. Variants between manuscripts are analysed, with attention to differences in word order and epithets that reflect regional recensions. The article also situates the Catustava within the wider corpus of stotras attributed to philosophers like Yamunācārya and Vedāntadeśika, noting stylistic parallels and doctrinal nuances. By elucidating the philosophical depth and poetic artistry of the Catustava, the article demonstrates how medieval hymnists synthesised abstract monism with passionate devotion. The hymns invite readers to contemplate the divine both as the impersonal ground of being and as the beloved lord, embodying the harmonious coexistence of knowledge and love that characterises much of Indian bhakti literature.

Conclusion

A critical study of the Catustava reveals how medieval Indian poets blended monistic philosophy with devotional fervour. The hymns’ artistry and depth exemplify the creative synthesis that characterises much of bhakti literature.

Article order

In this issue

Vol. 8 · No. 2
241-246Mahaparinibbāna-sutta and CullavaggaLouis Finot247-252Tāranātha's History of BuddhismUnexhibited253-256Interpolations in the Bhāgavata PurānaAmar Nath Roy257-266Kuntaka's Conception of GuṇasHaradatta Sharma267-271Fire-Arms in Ancient IndiaJogesh Chandra Roy272-278The Twin Gods AśvinauV. H. Vader279-293The Nature of the Mughal ConquestH. N. Sinha294-301The Rise of VijayanagaraBhaskar Anand Saletore302-304The Earliest Extant Account of Sher ShahDasharatha Sharma305-315New Plates of King Bhoja in the Indore Museum [Vikrama] Samvat 1079R. G. Ojha316-331CatustavaPrabhubhai PatelCurrent article332-341Some Images and Traces of Mahāyāna Buddhism in ChittagongNarendra Nath Law342-350The Buddhist Manuscripts at GilgitNalinaksha Dutt352The Successor of Kumara Gupta 1Hem Chandra Raychaudhuri353-357Samudra in the RigvedaAmiya Kumar Chakravorty357-358The Rasa-pradipa and the Hrdaya-darpanaSushil Kumar De359-364Bangiya Sahitya ParisadChintaharan Chakravarti364-366A Note on Iron in the Rigvedic AgeManindra Nath Banerji367-370Note on GopalaA. C. Banerjee371-373Nalanda Stone Inscription of YasovarmadevaRamesh Chandra Majumdar373-375The Natyasastra and Bharata-muniMano Mohan Ghosh375MahanatakaT. K. Joseph376Lataka and LatyaT. K. Joseph377-379Notes on Asoka RescriptsSailendra Nath Mitra380Indra and PaniniB. N. Krishnamurti Sharma381-382A Note on CandraprajapatiHiralal B. Kapadia383-412ReviewsSushil Kumar De, Nalinaksha Dutt, U. N. Ghoshal, Dhirendra Chandra Ganguly, D. Bhattacharya, Niharranjan Roy, Surendra Nath Sen, R. N . Seal, Basanta Ranjan Roy413-421Select Contents of Oriental JournalsUnexhibited422-424Bibliographical NotesUnexhibited

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