Old Buddhist Shrines at Bodh-Gaya
By B. M. Barua
Summary
The article examines Brahmi inscriptions on remnants of ancient Buddhist structures at Bodh-Gaya, including the Jewel-walk shrine, Diamond-throne, and Stone-railing. Focus is placed on pillar inscriptions marked with Brahmi letters to identify pillar-shaft and base pairings. Cunningham’s analysis suggests southern row pillars were marked with vowels (a, i, u, e, o, ai, au) and northern row with consonants (ka, kha, ga, gha, cha, chha, ja, jha, ta, tha, da, dha, na, pa, pha, ba, ma, ya, ra, va), arranged serially from west to east. Discrepancies exist regarding the eleventh vowel identification (tah vs. au). Six legible letters—ha on southern and northern bases, and ka, ga, cha, jha, pha on northern bases—support this arrangement. Differences in letter forms (e.g., ha) suggest possible engraving by distinct scribes. The Stone-railing fragments reveal 22 votive labels using 21 Brahmi letters (vowels, consonants) and seven symbols. Letters include a, i, u, e, o, ai, au, and consonants like ka, ga, ja, ta, pa, etc. Symbols denote punctuation or ownership. The study highlights the alphabet’s phonetic organization (gutturals, palatals, dentals) and underscores the inscriptions’ significance for understanding early Indian script evolution.
Conclusion
This study of Old Buddhist Shrines at Bodh-Gaya offers a systematic re-examination of inscriptions, resolving ambiguities in prior interpretations while maintaining the integrity of historical evidence. By meticulously grouping and arranging inscriptions, particularly the Brahmi letters on the Stone-railing and Diamond-throne, the analysis clarifies the structural and symbolic organization of the site. The identification of vowel and consonant sequences on pillar bases and shafts provides critical insights into the intentional design and numbering system of the Jewel-walk shrine, reinforcing the historical significance of Bodh-Gaya as a center of early Buddhist architecture and ritual practice. The findings underscore the importance of epigraphic precision in reconstructing ancient Indian monuments and their cultural context.