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Patanjali

By Prabhat Chandra Chakravarti

Vol. 2 · No. 2June - 1926pp. 262-289English

Summary

Patanjali, traditionally believed to be an incarnation of the serpent-king Sesa (who supports the universe and Narayana), is deified as "Bhagavat," a title for divine beings. According to tradition, Sesa descended to Earth after Narayana's weight increased due to joy from visualizing Shiva's dance. Sesa was born as Patanjali after falling from a sage's hands during her worship in Gonarda, deriving his name from the Sanskrit word "patan" (to fall). Patanjali performed intense penance, propitiating Shiva, who granted him two wishes: to witness Shiva's divine dance and compose the *Mahābhāṣya*, a seminal commentary on Panini's *Varttikas*. While teaching, he concealed his divine form behind a screen, sparking curiosity among students. When one removed the screen, Patanjali incinerated the inquisitive student, though one survived, later publishing the *Mahābhāṣya*. The identity of Patanjali with the author of the *Yoga-Sūtra* remains debated. While some equate them due to the shared name, others argue the *Yoga-Sūtra* predates the *Mahābhāṣya*. However, Patanjali is credited with systematizing scattered yogic practices into a coherent philosophy, rather than founding the system. He is also attributed with three major works: the *Mahābhāṣya*, the *Yoga-Sūtra*, and a commentary on Ayurveda. [Post-publication note: Modern scholarship continues to explore Patanjali's historical context, with some researchers suggesting later dates for the *Yoga

Conclusion

This document elucidates the divine origins and mystical narrative surrounding Patanjali, positioning him as an incarnation of Sesa, the serpent-king, and detailing his extraordinary journey from celestial being to mortal scholar. The text emphasizes Patanjali's unique role in receiving the Mahabhasya from Lord Shiva, his rigorous penance, and the supernatural circumstances of his birth and education. The account underscores the interplay between divine intervention and human endeavor, highlighting Patanjali's dual purpose of witnessing Shiva's divine dance and mastering the science of grammar. The narrative concludes with the revelation of the Mahabhasya through a near-tragic incident, reinforcing the mystical and otherworldly nature of Patanjali's life and contributions to Sanskrit grammar.

Article order

In this issue

Vol. 2 · No. 2
225-231Art and Philosophy in Hindu Temple BuildingPrafulla Chandra Basu232-249Rasatala or the Under-WorldNandu Lal Dey250-261Indo-China in the Records of Chinese PilgrimsLouis Finot262-289PatanjaliPrabhat Chandra ChakravartiCurrent article290-298The Trade of IndiaP. T. Srinivas Iyengar299-312A Comparative Survey of Indian PaintingAjit Ghosh313-342The Kedarpur Copper-plate Inscription of Sri CandradevaHaridas Mitra342-344Sukra�s Economies in Hindu ScienceBenoy Kumar Sarkar345-350Situation of Ravana's Lanka : On the EquatorV. H. Vader351-352Setagiri of the Nasik InseriptionVidyasagar Sadashiv Bakhle353-372Hindu Politics in ItalianBenoy Kumar Sarkar373-383Indian Literature AbroadPrabhat Kumar Mukherji384King Harsa and Aihole InscriptionChintaharan Chakravarti385-407MISCELLANY - The Janapada and the PauraNarendra Nath Law408Aditya, the supposed author of an ArthasastraMaurice Winternitz409-410The Evidence of Panini on Vasudeva-WorshipUmesh Chandra Bhattacharya410-413Recent Advance in South Indian EpigraphyC. S. Srinivasachari413-415Rupakas - how many are they ?Ashok Nath Bhattacharya415-416The First commentary on the MahabhasyaM. Hiriyanna416-418A Short note on Mr. Jayaswal's interpretation of a Mahabhasya passage in his "Hindu Polity" (p. 122)K. G. Subrahmanyam418-419A passage of the AbhidharmakosavyakhyaVidhushekhara Bhattacharya420-430Mr. Benoy Kumar Sarkar�s criticism of Hindu Political Theories�A ReplyU. N. Ghoshal430Ghoshal Defending HimselfBenoy Kumar Sarkar431-435ReviewsChintaharan Chakravarti, K. K. Banerji, Jehangir C. Tavadia436-437Select Contents of Orlental JournalsUnexhibited438-439BIBLIOGRAPHICAL NOTESUnexhibited440Obituary NoticeC. S. Srinivasachari

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