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महाकवि वीर का समीक्षा सिद्धान्त

By ड. छोटेलाल शर्मा

Vol. 05-06 · No. 0April - 1987pp. 29-38Hindi

Summary

The text discusses the critical principles of the poet Vira, who lived between 953 and 1028 CE and composed the "Jambusamichariu" in 1019 CE in Puri. He was the son and disciple of the poet Devadatta, and his mother was named Santuva. Vira was considered a master of Sanskrit and Prakrit, possessing flawless speech and a deep command of grammar, prosody, and literary forms. He was highly learned, virtuous, and respected for his humility, acknowledging the importance of tradition while avoiding plagiarism. The text explores the concept of literary borrowing, distinguishing between acceptable and unacceptable forms, and emphasizes that true novelty arises from within tradition. Vira was cautious about expanding or condensing old narratives, fearing the repetition of errors. The discussion extends to the nature of poetic genius, or pratibha, which is divided into two types: bhavayitri (related to rasa) and karayitri (related to expression). The poet is both creator and critic of his own work. The text also references later poets like Tulsidas, who similarly valued tradition and humility. It delves into the theory of dhvani, or suggestion, as the highest form of poetry, where the implied meaning surpasses the literal. The importance of vakrata, or artistic deviation, is highlighted as a source of beauty in poetry, particularly in descriptions of spring, battles, and other themes. The text concludes that true poetic excellence arises from a balance of tradition, innovation, and profound insight.

Conclusion

The analysis of Mahakavi Veer’s critical principles reveals a profound engagement with literary tradition and originality. His work demonstrates that true poetic merit arises not from mere imitation but from a creative synthesis of inherited forms and innovative expression. The document underscores how Veer navigated the tension between honoring predecessors and asserting his own voice, a balance that later poets like Tulsidas also recognized. This study’s implications extend beyond textual criticism to broader questions of authorship, influence, and cultural continuity in Indian literature. By examining Veer’s treatment of poetic borrowing, the discussion illuminates how classical Indian aesthetics valued both reverence for tradition and the necessity of fresh artistic vision. The outcomes suggest that literary greatness emerges when poets internalize their heritage while daring to transform it, a lesson that remains relevant for understanding creative processes across cultures and eras.

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In this issue

Vol. 05-06 · No. 0
7-9प्रास्ताविक10-11प्रकाशकीय12-14प्रारम्भिकप्रो० प्रवीणचन्द्र जेन15-19जंबसामिचरिउ के यशस्वी महाकवि वीर का व्यक्तित्वडां. महेन्द्रसागर प्रंचंडिया20अध्रूवानुप्रेक्षा21-27महाकवि वीर और उनका जम्बूसामिचरिउ एक समीक्षात्मक अध्ययनडॉ० जयकिशनप्रसाद खण्डलवाल28प्रशारणानुप्रेक्षा29-38महाकवि वीर का समीक्षा सिद्धान्तड. छोटेलाल शर्माCurrent article39-46जंबसामिचरिउ का साहित्यिक मूल्यांकनडां. श्रादित्य प्रचण्डिया 'दीति'47-55जंबूसामिचरिउ-छवि भली संवारी वीर कवि56संसारानुप्रेक्षा57-64जम्बूसामिचरिउ में रसयोजनाडां. गंगाराम65-70जंबूसामिचरिउ में छन्द-योजना71-77महाकवि वीर की दार्शनिक दृष्टि78एकत्वानुप्रेक्षा79-89जम्बूसामिचरिउ की कथानकसूष्टि और हिन्दी काव्य-परम्पराडां. (श्रीमती) पुष्पलता जेन90प्रन्यत्वानुप्रेक्षा91-101जंबसामिचरिउ के नारी-पात्र102प्रशुचि प्रनुप्रेक्षा103-109जंबसामिचरिउ & वैराग्य-प्रसंग110प्रासवानुप्रेक्षा111-122जंबसामिचरिउ के मंगल-प्रसंग एक व्याकरणिक विश्लेषणडॉ. कमलचन्द सोगाणी123-134जम्बूस्वामीचरित विषयक जैनसाहित्यडं. कपूरचन्द जेन, ॐं. (धीमती) ज्योति जेन135-152बुद्धिरसायण-ओणमचरित-दोहड़ाकबि नेमि प्रसाद, भंवरलाल पोल्याका153-155इस अंक के सहयोगी रचनाकार

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