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प्रशुचि प्रनुप्रेक्षा

Vol. 05-06 · No. 0April - 1987pp. 102Hindi

Summary

The text presents a meditation on the impurity and impermanence of the human body. It states that the body is animated by the conscious self, yet the body itself is described as impure and containing nothing good. The body is depicted as a composite structure, assembled from crooked bones, bound by sinews, and covered with skin. It is characterized as a bundle of blood, flesh, and fat, a storehouse of urine, and a sack of feces. If left unburied after death, worms and insects enter it, and if cremated, it turns to ash in the cremation ground. The text then contrasts the body's former beauty with its inevitable decay. It asks where the graceful sidelong glances of the eyes and the clever smile showing the teeth have gone. The former beauty of the lips is also questioned. Soft, gentle words no longer issue forth. Even if the body is anointed with fragrant sandalwood paste, the paste remains only on the surface, and no one can eliminate the body's inherent foul odor. The text thus emphasizes the stark contrast between the living body's perceived attractiveness and its ultimate, inescapable reality of filth and decomposition.

Conclusion

The text's meditation on the body's inherent impurity and inevitable decay underscores a profound shift in perspective, moving from attachment to the physical form toward a recognition of its transient, composite nature. The detailed catalog of bones, blood, and waste serves to dismantle any illusion of beauty or permanence, directly challenging societal norms of adornment and desire. The implications are clear: by confronting the reality of the corpse and its dissolution into worms or ash, one is urged to detach from sensory pleasures and bodily identification. The outcome is a call to prioritize spiritual awareness over material vanity, as the text demonstrates that even the most cherished features—the face, the smile, the soft words—are ultimately hollow. This stark contemplation aims to cultivate dispassion, guiding the practitioner toward a liberated state where the soul is no longer deceived by the body's fleeting allure.

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In this issue

Vol. 05-06 · No. 0
7-9प्रास्ताविक10-11प्रकाशकीय12-14प्रारम्भिकप्रो० प्रवीणचन्द्र जेन15-19जंबसामिचरिउ के यशस्वी महाकवि वीर का व्यक्तित्वडां. महेन्द्रसागर प्रंचंडिया20अध्रूवानुप्रेक्षा21-27महाकवि वीर और उनका जम्बूसामिचरिउ एक समीक्षात्मक अध्ययनडॉ० जयकिशनप्रसाद खण्डलवाल28प्रशारणानुप्रेक्षा29-38महाकवि वीर का समीक्षा सिद्धान्तड. छोटेलाल शर्मा39-46जंबसामिचरिउ का साहित्यिक मूल्यांकनडां. श्रादित्य प्रचण्डिया 'दीति'47-55जंबूसामिचरिउ-छवि भली संवारी वीर कवि56संसारानुप्रेक्षा57-64जम्बूसामिचरिउ में रसयोजनाडां. गंगाराम65-70जंबूसामिचरिउ में छन्द-योजना71-77महाकवि वीर की दार्शनिक दृष्टि78एकत्वानुप्रेक्षा79-89जम्बूसामिचरिउ की कथानकसूष्टि और हिन्दी काव्य-परम्पराडां. (श्रीमती) पुष्पलता जेन90प्रन्यत्वानुप्रेक्षा91-101जंबसामिचरिउ के नारी-पात्र102प्रशुचि प्रनुप्रेक्षाCurrent article103-109जंबसामिचरिउ & वैराग्य-प्रसंग110प्रासवानुप्रेक्षा111-122जंबसामिचरिउ के मंगल-प्रसंग एक व्याकरणिक विश्लेषणडॉ. कमलचन्द सोगाणी123-134जम्बूस्वामीचरित विषयक जैनसाहित्यडं. कपूरचन्द जेन, ॐं. (धीमती) ज्योति जेन135-152बुद्धिरसायण-ओणमचरित-दोहड़ाकबि नेमि प्रसाद, भंवरलाल पोल्याका153-155इस अंक के सहयोगी रचनाकार

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