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जंबसामिचरिउ के नारी-पात्र

Vol. 05-06 · No. 0April - 1987pp. 91-101Hindi

Summary

The text discusses the Jambusamichariu, an Apabhramsha epic poem by the poet Vira, completed around 1076-1077 Vikram Samvat. It is considered a unique and representative work among all literature on Jambuswami. The poet skillfully presents the past lives and comprehensive life of the hero, Jambuswami, blending elements of the erotic and heroic rasas to ultimately emphasize the superiority of renunciation over attachment. The work is seen as a living flame that, like a submarine fire in an ocean, establishes the victory of detachment over passion, rendering worldly desires meaningless. A significant portion of the analysis focuses on the female characters in the Jambusamichariu. The text argues that while ancient Indian society was patriarchal, diminishing the importance of women is unjust. The poet Vira successfully portrays female characters in various contexts, not only in the erotic rasa but also in the heroic, and maintains their nobility even on the path to spiritual upliftment. There are 27 female characters in total, with 26 related to the main narrative. The text provides detailed descriptions of several key women, including Somasharma, a devoted wife who dies on her husband's funeral pyre; Nagvasu, a virtuous and wise woman who, after being abandoned by her ascetic husband, guides him back to the true path of renunciation through her intellect and selfless advice; and Jinamati, the mother of Jambukumar, who initially opposes her son's renunciation but eventually takes initiation herself. Other characters like Padmashri and her co-wives are depicted as highly educated, accomplished, and proud women who are determined to marry only Jambuswami. The text concludes that the portrayal of these female characters, particularly Nagvasu, demonstrates the nobility and potential of women, challenging the notion that women are an obstacle on the path to spiritual liberation.

Conclusion

The analysis of *Jambūsāmicariu* reveals that its female characters are not merely decorative but serve a profound ideological purpose: to demonstrate the triumph of detachment (*vairāgya*) over attachment (*rāga*). Through figures like Nagavasū, who guides her fallen husband back to asceticism, and Jinamatī, who embraces renunciation after her son, the text systematically subverts the notion that women are obstacles to spiritual progress. Instead, these 27 female characters—ranging from devoted wives to learned princesses—embody the very virtues that lead to liberation. The poem thus presents a radical vision where women actively facilitate the path to mokṣa, challenging patriarchal assumptions while reinforcing Jain ethical ideals. This literary strategy not only enriches the narrative but also offers a corrective to contemporary social biases, suggesting that spiritual attainment transcends gender.

Article order

In this issue

Vol. 05-06 · No. 0
7-9प्रास्ताविक10-11प्रकाशकीय12-14प्रारम्भिकप्रो० प्रवीणचन्द्र जेन15-19जंबसामिचरिउ के यशस्वी महाकवि वीर का व्यक्तित्वडां. महेन्द्रसागर प्रंचंडिया20अध्रूवानुप्रेक्षा21-27महाकवि वीर और उनका जम्बूसामिचरिउ एक समीक्षात्मक अध्ययनडॉ० जयकिशनप्रसाद खण्डलवाल28प्रशारणानुप्रेक्षा29-38महाकवि वीर का समीक्षा सिद्धान्तड. छोटेलाल शर्मा39-46जंबसामिचरिउ का साहित्यिक मूल्यांकनडां. श्रादित्य प्रचण्डिया 'दीति'47-55जंबूसामिचरिउ-छवि भली संवारी वीर कवि56संसारानुप्रेक्षा57-64जम्बूसामिचरिउ में रसयोजनाडां. गंगाराम65-70जंबूसामिचरिउ में छन्द-योजना71-77महाकवि वीर की दार्शनिक दृष्टि78एकत्वानुप्रेक्षा79-89जम्बूसामिचरिउ की कथानकसूष्टि और हिन्दी काव्य-परम्पराडां. (श्रीमती) पुष्पलता जेन90प्रन्यत्वानुप्रेक्षा91-101जंबसामिचरिउ के नारी-पात्रCurrent article102प्रशुचि प्रनुप्रेक्षा103-109जंबसामिचरिउ & वैराग्य-प्रसंग110प्रासवानुप्रेक्षा111-122जंबसामिचरिउ के मंगल-प्रसंग एक व्याकरणिक विश्लेषणडॉ. कमलचन्द सोगाणी123-134जम्बूस्वामीचरित विषयक जैनसाहित्यडं. कपूरचन्द जेन, ॐं. (धीमती) ज्योति जेन135-152बुद्धिरसायण-ओणमचरित-दोहड़ाकबि नेमि प्रसाद, भंवरलाल पोल्याका153-155इस अंक के सहयोगी रचनाकार

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