Browse articles

अशोक 'अनुराग' की कविताएं

Vol. 57 · No. 02February - 2009pp. 48Hindi

Summary

The text presents a poetic meditation on the nature of profound expression and inner experience. It begins by questioning the phrase "ढाई आखर" (two and a half letters), suggesting that if one were merely to fill empty words, there would be no need for such a specific, limited form. The poet implies that these few letters hold immense significance, as without them, even that meaning would not exist. The imagery shifts to a moment of illumination, described as spreading like light or a hymn, with a lingering fragrance like an offering. This memory burns perpetually like a lamp, spreading both inward and outward, reflecting what a person feels internally. The poet declares having never shared a certain pilgrimage with anyone, a moment not recorded on a calendar or destined to become a past date. Instead, it is preserved like a soaked feeling, not meant to be emptied like rain. Even when glaciers melt and oceans dry, leaving nothing else, that untouched, sacred pilgrimage will remain. The text then turns to the concept of an inner spring, "अन्तःसोता." The poet reflects that walking together was not destiny; having been left behind, they wandered and ultimately returned to themselves. Now, they move only within, diving deeper into this inner spring, gradually becoming dissolved within it. The text includes fragmented references to a publication, "जैन भारती," and a year, 2009, suggesting this is an excerpt from a literary or spiritual magazine.

Conclusion

The poem's exploration of "ढाई आखर" (two and a half letters) implies that profound meaning and sacred experience resist verbal expansion, suggesting that true understanding lies in the unspoken and the internal. The imagery of an unshared "तीर्थ" (pilgrimage) and a preserved, untouched feeling indicates that the most significant personal insights are solitary and timeless, immune to calendar dates or physical decay. The conclusion, where the speaker returns to the self and becomes absorbed in an inner current, points to an outcome of introspective fulfillment rather than external achievement. This implies that the document's core message values internal depth over external expression, urging a shift from seeking validation through words to cultivating a private, enduring spiritual essence that remains when all else is gone.

Article order

In this issue

Vol. 57 · No. 02
7-8मर्यादा का माहात्म्य9-10विमर्शगोविंदचंद्र पांडे11-15अहिंसा तत्त्व : एक सिंहावलोकन16-20आचार्यश्री महाप्रज्ञ का मनोवेेज्ञानिक दृष्टिकोण21-22अनुभूतिश्यामाचबण23-26अनुशासन : अग्र और मूल का छेदनआचार्यश्री जीतमलजी, जयाचार्यश्री27-29संस्कृत भाषा का अदुष्य-वैदुष्य : संदर्भ आचार्यश्री महाप्रज्ञ30-32व्यक्तित्व सृजन : कुछ सूत्र33-35संतुलन के साधक आचार्यश्री महाप्रज्ञ36-39समभाव राखवै ते सुज्ञानी40-42मर्यादा : मस्तक का ताज43-47गंगों का जाया48अशोक 'अनुराग' की कविताएंCurrent article49-50शीलनमकरंद51-53अनेकांत के आलोक में सत्य का दर्शन : महाप्रज्ञ दृष्टि54-55एकता, संगठन और अनुशासन का प्रतीक : मर्यादा महोत्सव56-58तीन बालबोध कथाएं

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.

Continue reading

Related articles

Jain Vidya

सुदंसणचरिउ का काव्यात्मक वैभव

By डां. देवेन्द्रकुमार शास्त्री

October - 1987
Jain Bharati

अनुभूति

September - 2003
Jain Vidya

महाकवि पुष्पदंत की विचारदृष्टि एवं उपमानसृष्टि

By डं० श्रीमती पुष्पलता जेन

November 1985