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सुदंसणचरिउ का काव्यात्मक वैभव

By डां. देवेन्द्रकुमार शास्त्री

Vol. 07 · No. 0October - 1987pp. 27-30Hindi

Summary

The text discusses the poetic excellence of Muni Nayanandi's 'Sudansanachariu', an Apabhramsha narrative poem based on the character of Sudarshana, a figure known in Indian narratives from ancient times across various Puranas and poetic forms in Sanskrit, Prakrit, Apabhramsha, Hindi, and regional languages. The poem is noted for its rich incorporation of elements essential to the Apabhramsha narrative tradition. It was acclaimed by scholars in the poet's own era, a claim presented as factual rather than self-praise. Dr. Nathmal Tantia observed that this work follows the ornate poetic style, with complex compounds and figures of speech reminiscent of Subandhu, and that Nayanandi excels among Apabhramsha poets in displaying this style. Despite dense compound usage, the language remains graceful and includes proverbs and aphorisms. Onomatopoeic and imitative words effectively convey varied images, showcasing the poet's expressive power. The poem also features novel and profound vocabulary. In describing actions, the poet uses series of verbs, as exemplified in a passage detailing the effects of drinking wine, listing numerous degrading behaviors. The narrative's origin is traced through a long tradition: conceptualized by Arhats, given textual form by Gautam Ganadhara, and passed through a succession of Kevalis, Dashapurvis, Ekadashangadharas, and Ekangadharas, culminating in the current version as a statement of the Panchanamaskara mantra's fruit. The poet's originality is evident in descriptions, emotional expression, varied meter usage, and imagery. The poem is filled with emotional content, featuring notable descriptions of country, city, king, journey, assembly, virtues, river, sports, dream interpretation, childhood, feminine traits, nature, love states, marriage, feasts, sunset, night, sunrise, separation, spring, gardens, water sports, ill omens, cremation ground, lamentation, various battles, temple, monk, tiger-hunter, and aerial car. While the narrative

Conclusion

This analysis confirms that the *Sudaṃsaṇacariu* is a landmark Apabhraṃśa text, distinguished by its ornate style, complex samāsas, and vivid imagery. The poet Nayanandi’s mastery is evident in his innovative use of meter, his ability to create striking *bimbas*, and his rich, multi-layered language that blends Sanskrit, Prakrit, and Apabhraṃśa. The work’s detailed descriptions of nature, love, and war, alongside its philosophical and didactic elements, demonstrate a sophisticated synthesis of narrative and poetic craft. Ultimately, this study establishes the *Sudaṃsaṇacariu* not merely as a retelling of a traditional story, but as a unique and vital contribution to Indian literature, showcasing the full expressive potential of Apabhraṃśa and securing Nayanandi’s place as a master poet.

Article order

In this issue

Vol. 07 · No. 0
7-10प्रास्ताविकमुनि श्री नयनन्दी11-12प्रकाशकीय13-14ध्रारम्भिकमुनि नयनन्दी, डॉ. कमलचन्द्र सौगानी, प्रो. प्रवोणचन्द्र जेन15-25सुदंसणचरिउ का साहित्यिक मूल्यांकननयनंदि26गुणों की सार्थकता27-30सुदंसणचरिउ का काव्यात्मक वैभवडां. देवेन्द्रकुमार शास्त्रीCurrent article31-42सुदंसणचरिउ में अलंकार-यौजनाडॉ० गंगाराम43-48सुदंसणचरिउ का छान्दस वैशिष्ट्यमुनि नयनन्दी49-59सुदंसणचरिउ प्रयोजन की दृष्टि से60व्यसनों के दुष्परिणाम61-74सुदंसणचरिउ के मूल्यात्मक प्रसंग - एक व्याकरणिक विश्लेषणडे. .कमलयन्द सोगाणी75-85सुदंसणचरिउ उदात्त की दृष्टि सेडॉ. गदाधर सिंह86मद्यपान के दुष्परिणाम87-93भारतीय भाषाओं में सुदर्शनचरित-विषयक साहित्य94जीवन का यथार्थ95-108हेमचन्द्र-अपभ्रन्श-व्याकरण सूत्र-विवेचनडॉ. कमलचन्दं सोगाणी109-110शिविर-आयोजन111-112इस अंक के सहयोगी रचनाकारडॉ. झादित्य प्रचण्डया 'बीति', डॉ. कमलचन्द सोगाणी, डॉ. गंगाराम गग, डॉ. गदाधर सिंहू, डॉ. जयकुमार जेन, डॉ. दैवेन्दकुमार शास्त्री, डॉ. बरत सुरिदेव, भौ घौय

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