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सुदंसणचरिउ का साहित्यिक मूल्यांकन

By नयनंदि

Vol. 07 · No. 0October - 1987pp. 15-25Hindi

Summary

The text is a literary evaluation of the Apabhramsha epic poem "Sudansanachariu" (or "Sudansancharitu"), composed by the Jain poet Muni Nayandi in 1100 Vikram Samvat (approximately 1043 CE) in the Mahavihara of the Jain temple in Dhara Nagar, during the reign of King Bhojadeva of the Paramara dynasty. The poem is a spiritual narrative in twelve cantos (sandhis) that celebrates the greatness of the Jain Panch Namaskar mantra through the story of the merchant Sudarshana, a well-known and popular tale in Jain literature. The poet claims his work is flawless, contrasting it with the Ramayana and Mahabharata, which contain separation and destruction. The central plot involves Queen Prabhava's failed attempt to seduce the virtuous Sudarshana, leading to her false accusation, his rescue by a celestial being, and the eventual renunciation of both the king and Sudarshana. The evaluation notes the poem's adherence to the conventions of Prabandha Kavya, including descriptions of nature, geography, seasons, and human activities like garden and water sports. The character of Sudarshana is portrayed as a heroic, calm, and virtuous protagonist, while other characters like Manorama, Kapila, and Prabhava are also analyzed. The text highlights the poet's skill in psychological portrayal and the use of natural imagery, such as the Ganges compared to a courtesan and the dawn described as a lion (sun) defeating an elephant (darkness). The work is noted for its didactic purpose, incorporating elements of Jain belief, magic, and omens, but is praised for its engaging narrative and poetic qualities.

Conclusion

The document's analysis of *Sudaṃsaṇacariu* reveals its significance as an 11th-century Apabhraṃśa Jain mahākāvya that blends spiritual instruction with literary artistry. The work's core implication lies in its demonstration of how a traditional religious narrative—centered on the pañca-namaskāra mantra and the ideal of a flawless hero—can be effectively conveyed through a secular, romantic plot involving courtly intrigue and moral trials. The outcome is a text that serves both as a vehicle for Jain doctrine and as a sophisticated literary artifact, showcasing the poet Nayanaṃdi’s skill in characterization, natural description, and psychological insight. By framing a story of temptation and renunciation within a rich tapestry of poetic conventions, the *Sudaṃsaṇacariu* successfully upholds its stated purpose of celebrating spiritual purity while engaging the reader with a compelling, human drama. This dual achievement underscores the adaptability of Jain narrative traditions

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In this issue

Vol. 07 · No. 0
7-10प्रास्ताविकमुनि श्री नयनन्दी11-12प्रकाशकीय13-14ध्रारम्भिकमुनि नयनन्दी, डॉ. कमलचन्द्र सौगानी, प्रो. प्रवोणचन्द्र जेन15-25सुदंसणचरिउ का साहित्यिक मूल्यांकननयनंदिCurrent article26गुणों की सार्थकता27-30सुदंसणचरिउ का काव्यात्मक वैभवडां. देवेन्द्रकुमार शास्त्री31-42सुदंसणचरिउ में अलंकार-यौजनाडॉ० गंगाराम43-48सुदंसणचरिउ का छान्दस वैशिष्ट्यमुनि नयनन्दी49-59सुदंसणचरिउ प्रयोजन की दृष्टि से60व्यसनों के दुष्परिणाम61-74सुदंसणचरिउ के मूल्यात्मक प्रसंग - एक व्याकरणिक विश्लेषणडे. .कमलयन्द सोगाणी75-85सुदंसणचरिउ उदात्त की दृष्टि सेडॉ. गदाधर सिंह86मद्यपान के दुष्परिणाम87-93भारतीय भाषाओं में सुदर्शनचरित-विषयक साहित्य94जीवन का यथार्थ95-108हेमचन्द्र-अपभ्रन्श-व्याकरण सूत्र-विवेचनडॉ. कमलचन्दं सोगाणी109-110शिविर-आयोजन111-112इस अंक के सहयोगी रचनाकारडॉ. झादित्य प्रचण्डया 'बीति', डॉ. कमलचन्द सोगाणी, डॉ. गंगाराम गग, डॉ. गदाधर सिंहू, डॉ. जयकुमार जेन, डॉ. दैवेन्दकुमार शास्त्री, डॉ. बरत सुरिदेव, भौ घौय

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