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સરદાર પટેલ યુનિવર્સિટી મ્યુઝિયમમાંની પાંચ નોંધપાત્ર પ્રતિમાઓ

By Nandan Hariprasad Shastri

Vol. 252002pp. 158-161Gujarati

Summary

The Vallabh Vidyanagar Museum in Gujarat houses a set of five rare Jain bronze idols excavated from Vallabhipur. These bronzes date to the Maitraka dynasty and were produced during the reign of Dhruvasena I (c. 519–549 CE)https://www.instagram.com/p/CwmITfIKJy-/#:~:text=Five%20Jain%20Bronze%20Idols%20excavated,historyofjainism. As early examples of Jain metal sculpture, they portray Tīrthaṅkaras with elongated forms, serene expressions and minimal ornamentation characteristic of Gupta-influenced styles. The discovery indicates that Vallabhipur was an important Jain centre under the Maitrakas, who patronised multiple faiths. The idols offer insights into the development of bronze casting in western India. Crafted using the lost‑wax method, they display delicate modelling and fine details despite their small size. Their poses—standing in kāyotsarga or seated in padmāsana—symbolise meditation and detachment, core Jain ideals. Art historians view these bronzes as a bridge between earlier stone images and later ornate metal icons. Their preservation in a university museum underscores the role of academic institutions in safeguarding cultural heritage. The collection educates visitors about Jainism’s historical presence in Gujarat and encourages appreciation of regional art. Further research and conservation of such artefacts can deepen understanding of Maitraka-era iconography and religious interactions. Thus, the rare idols at Vallabh Vidyanagar are not only aesthetically compelling but also historically significant, linking modern audiences to the devotional practices of early medieval communities.

Conclusion

The rare Jain bronzes from Vallabhipur, dating to the sixth century, exemplify early metal artistry and testify to royal patronage of Jainism in Gujarat. Preserving and studying these idols enhances knowledge of the region’s religious and artistic heritage, underscoring the value of museum collections in connecting the present with the past.

Article order

In this issue

Vol. 25
1-19The influence of various darśanas on the interpretation and presentation of the Rasa TheoryP. R. Vora20-37General Introduction to uparupakas and examination of Sri Gadita and Durnirika in particularTapasvi Shambhuchandra Nandi38-44Alankarakarika – a critical studyParul N. Mankad45-55Madhyamika’s theory of error in comparison with Anyakhyati of Suddhadvaita schoolYajneshwar S. Shastri56-64Prthu Vainya Episode—An Astronomical InterpretationD. G. Vedia65-74Dimensions of Babanagara inscription [Vide South Indian Inscriptions, Vol. XVIII. No. 187, C. E. 1168, pp. 256-59]Hampa Nagarajaiah75-90Verses relating to Svabhavavada – a collectionRam Krishna Bhattacharya91-120Sarasvatikanthabharana – the magnum opus of Sanskrit grammarNarayan Prasad121-132Jainism: A prominent living indigenous cultureRajjan Kumar133-139Sanskrit literature mein Manaviya Tatva ke roop mein Anukrosha (compassion)Vasantkumar M. Bhatt140-157Jain darshan mein Nirjara TatvaMukul Raj Mehta158-161સરદાર પટેલ યુનિવર્સિટી મ્યુઝિયમમાંની પાંચ નોંધપાત્ર પ્રતિમાઓNandan Hariprasad ShastriCurrent article162-166श्री'मान' कविविरचित जिनसंगीताष्टक ॥Vijayashilachandrasoori167-195Historical perspective on some contemporary historical eventsRasesh Jamindar196-208Chamundi of Harshacharita of Bana: A critical reviewSudarshan Kumar Sharma209-229ReviewsSatya Ranjan Banerjee, V. M. Kulkarni

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