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Two Types of Subjectivism in Monistic Vedanta

By Makhanlal Mukherji

Vol. 9 · No. 4December - 1933pp. 912-922English

Summary

This philosophical article explores two schools of subjectivist interpretation within Advaita Vedānta. Starting from Śaṅkara’s absolute monism—where the ultimate reality (Brahman) is the only truth and the world of multiplicity is illusory—it examines how later thinkers attempted to resolve the relationship between the individual experience and the absolute. The first type, called dṛṣṭi-sṛṣṭi-vāda, posits that perception itself creates the world: the universe is a mental projection of the jīva, and objects have no existence independent of consciousness. This view emphasises that the distinction between seer and seen is illusory; the apparent world arises simultaneously with perception and dissolves when perception ceases. The second type, termed dṛṣṭi-samāna-samaya-sṛṣṭi-vāda, asserts that perception and world-creation occur at the same time as a result of beginningless ignorance (avidyā). While still subjectivist, this view allows for a common world shared by multiple perceivers because their ignorance is collectively similar. The article analyses arguments from the works of Prakāśātman, Vimuktātman and later Advaitins, comparing them with Yogācāra Buddhism and the concept of vikalpa (conceptual construction). It notes that these theories attempt to defend Advaita against criticism that its doctrine collapses into solipsism. The author concludes that both types of subjectivism acknowledge the primacy of consciousness but differ in how they explain intersubjective experience. He highlights the dialectical method used by Vedāntic writers to refine monism and integrate phenomenological concerns.

Conclusion

By comparing dṛṣṭi-sṛṣṭi and dṛṣṭi-samāna-samaya-sṛṣṭi theories, the article shows how Advaitins grappled with the tension between absolute non-duality and the apparent plurality of experience. Both positions maintain that reality is fundamentally consciousness, yet they offer nuanced accounts of how the world appears. The study deepens our understanding of Vedānta’s engagement with subjectivism and its dialogue with Buddhist idealism.

Article order

In this issue

Vol. 9 · No. 4
829-834Kalidasa in ChinaLouis Finot835-853Vamana's Theory of Riti and GunaPrakash Chandra Lahiri854-865Krsna and JarasandhaSadashiva L. Katre866-871The Rise of Najib-ud-daulaJadunath Sarkar872-879The Architecture of the Taj and its ArchitectShyam Chand Mukherjee880-885The Puranic Traditions - (about earlier homes and migrations of the Indian Aryas)Narayana Tripathi886-897The Origin of the MalpahariasSasanka Sarkar898-911Some Sanskrit Texts on PaintingV. Raghavan912-922Two Types of Subjectivism in Monistic VedantaMakhanlal MukherjiCurrent article923-929The Date of KarkacaryaG. B. Makoday930-933Literary Reference to SamudraguptaRamesh Chandra Majumdar934-942An almost Contemporary Account of Mahmud's Invasions of IndiaSri Ram Sharma943-947Daspalla Copper-Plate AgreementBinayak Misra948-950King Narasimha of Gaunda and the study of the Mahabhasya in BengalJogendra Chandra Ghosh951-956Early History of the Gahadavala DynastyDhirendra Chandra Ganguly957-966Epigraphic NotesDineshchandra Sircar967-968The Art of Pantomime in KeralaC. S. Srinivasachari969-972The Dasas of the Karnatak CountryS. Hanumantha Rao973-977Hindu Theatre (Part 1)D. R. Mankad978-979AryadevaVidhushekhara Bhattacharya979-980Sankaracarya and DharmakirtiVidhushekhara Bhattacharya981Sankara's Reference to a Buddhist PassageVidhushekhara Bhattacharya981-983A so-called Convention of the Hindu DramaMano Mohan Ghosh984-986Varahamihira and BuzurjmehrAdinath Neminath Upadhye987-988Syntactic Position of the Preposition in ArdhamagadhiAdinath Neminath Upadhye989-991Vainyagupta DvadasadityaRamesh Chandra Majumdar991-994Hindu Theatre (Part 2)V. Raghavan995-1003The Seventh All-India Oriental ConferenceP. C. Bagchi1004-1030ReviewsBatakrishna Ghosh, Edward J. Thomas1031-1039Select Contents of Oriental JournalsUnexhibited1041-1042Addendum: Some Sanskrit Texts on PaintingV. Raghavan

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