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The Dasas of the Karnatak Country

By S. Hanumantha Rao

Vol. 9 · No. 4December - 1933pp. 969-972English

Summary

This article investigates the devotional communities known as Dasas in Karnataka, who played a significant role in the Bhakti movement. The Dasas were itinerant saint-poets and musicians who composed vernacular songs praising Krishna and Vittala. The article traces their origins to the 15th and 16th centuries and highlights prominent figures such as Purandara Dasa, Kanaka Dasa and Vijaya Dasa. It discusses their theological framework, influenced by Madhvacharya’s dualistic Vedanta, and their emphasis on personal devotion, moral living and social equality. The Dasas used simple Kannada language to communicate spiritual truths, making bhakti accessible to the masses. They opposed caste discrimination and championed the idea that sincere devotion, not birth, leads to liberation. The article also explores how the Dasa kirtans (songs) laid the foundation for Carnatic music and influenced later devotional traditions. It emphasises the movement’s enduring popularity and its contribution to Kannada literature and culture.

Conclusion

The Dasas of Karnataka exemplify how devotional movements can democratise religion by using vernacular language and music to communicate spiritual ideals. Their songs remain integral to South Indian devotional culture and illustrate the intersection of theology, music and social reform.

Article order

In this issue

Vol. 9 · No. 4
829-834Kalidasa in ChinaLouis Finot835-853Vamana's Theory of Riti and GunaPrakash Chandra Lahiri854-865Krsna and JarasandhaSadashiva L. Katre866-871The Rise of Najib-ud-daulaJadunath Sarkar872-879The Architecture of the Taj and its ArchitectShyam Chand Mukherjee880-885The Puranic Traditions - (about earlier homes and migrations of the Indian Aryas)Narayana Tripathi886-897The Origin of the MalpahariasSasanka Sarkar898-911Some Sanskrit Texts on PaintingV. Raghavan912-922Two Types of Subjectivism in Monistic VedantaMakhanlal Mukherji923-929The Date of KarkacaryaG. B. Makoday930-933Literary Reference to SamudraguptaRamesh Chandra Majumdar934-942An almost Contemporary Account of Mahmud's Invasions of IndiaSri Ram Sharma943-947Daspalla Copper-Plate AgreementBinayak Misra948-950King Narasimha of Gaunda and the study of the Mahabhasya in BengalJogendra Chandra Ghosh951-956Early History of the Gahadavala DynastyDhirendra Chandra Ganguly957-966Epigraphic NotesDineshchandra Sircar967-968The Art of Pantomime in KeralaC. S. Srinivasachari969-972The Dasas of the Karnatak CountryS. Hanumantha RaoCurrent article973-977Hindu Theatre (Part 1)D. R. Mankad978-979AryadevaVidhushekhara Bhattacharya979-980Sankaracarya and DharmakirtiVidhushekhara Bhattacharya981Sankara's Reference to a Buddhist PassageVidhushekhara Bhattacharya981-983A so-called Convention of the Hindu DramaMano Mohan Ghosh984-986Varahamihira and BuzurjmehrAdinath Neminath Upadhye987-988Syntactic Position of the Preposition in ArdhamagadhiAdinath Neminath Upadhye989-991Vainyagupta DvadasadityaRamesh Chandra Majumdar991-994Hindu Theatre (Part 2)V. Raghavan995-1003The Seventh All-India Oriental ConferenceP. C. Bagchi1004-1030ReviewsBatakrishna Ghosh, Edward J. Thomas1031-1039Select Contents of Oriental JournalsUnexhibited1041-1042Addendum: Some Sanskrit Texts on PaintingV. Raghavan

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