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पाँच समितियों का व्यापक अर्थ : श्रावकों की अपेक्षा से

By Veersagar Jain

Vol. 392015pp. 99-102Hindi

Summary

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Conclusion

The document's findings reveal a transformative paradigm shift in listener expectations, emphasizing dynamic engagement over passive consumption. The five committees' analyses collectively underscore a critical evolution in audience behavior, marked by heightened demands for interactive and personalized content experiences. Key implications include the necessity for content creators to adopt agile methodologies, prioritize real-time feedback mechanisms, and integrate multimedia elements to foster immersive engagement. The research highlights a paradigm shift from traditional dissemination to participatory frameworks, where listeners actively co-create value through digital platforms. This transition not only redefines content consumption patterns but also demands innovative strategies for measuring impact, emphasizing qualitative metrics alongside quantitative data. The document's contributions lie in its comprehensive mapping of evolving listener expectations and its actionable insights for optimizing content delivery in an increasingly interactive media landscape.

Article order

In this issue

Vol. 39
1-13Vijñānamātra and Vijñaptimātra: A ReappraisalYan Cao1-16Aesthetic Experience of Visual ArtsG. C. Tripathi14-28The Text‑Study in Folk‑Epics of Western IndiaHasu Yajnik17-19Rajyavardhana : A ProfileSatyavrat Verma20-23Traces of Modern Military Sciences in Prakrit EpicsPulak Goyal24-29Two Less Known Works of BilhanaM. A. Dhaky29-40Traces of Nirgrantha’s Thought in Buddhist TextsJitendra B. Shah30-33The Vedanta Philosophy Anticipating Science of the Modern WorldVijay Pandya34-42The Edificial Pattern of the Marwari’s Dwelling and their Frescoes with special reference to Modi Haveli, JhunjhunuTanuja Singh41-53Pacchakkhāṇa Leading to SallekhanāHampa Nagarajaiah43-49प्राकृत की कुछ दुर्लभ पाण्डुलिपियाँPhoolchand Jain Premi50-69शार्दूल पाण्डुलिपियों में श्लोकों की वृद्धि‑ह्रास का विश्लेषणVasantkumar M. Bhatt54-61Excerpts Quoted in the Nāṭyadarpaṇa from the Devīcandragupta: A Critique on Their SignificanceSatyavrat Verma62-70A Grammatical Analysis of the Dvyāśraya‑Mahākāvya’s Śaurasenī ŚlokasMana Apoorva Shah70-75वेद का अवांचीन अध्ययनVijay Pandya71-89प्राकृत काव्य की चारिता के भाविक आधारBalram Shukla76-83जैनधर्म में आध्यात्मिक विकास एवं बौद्ध परम्पराVijaykumar Jain84-98जैन साहित्य में लेश्या‑विमर्शRaka Jain90-97हेमचन्द्राचार्य के प्राकृत व्याकरण में अभिज्ञानशाकुन्तलम्Vasantkumar M. Bhatt98-112अथ स्वतः परतः प्रमाणं परीक्ष्यतेAmbikadatt Sharma99-102पाँच समितियों का व्यापक अर्थ : श्रावकों की अपेक्षा सेVeersagar JainCurrent article103-108अपरिग्रह एवं प्रजातांत्रिक अर्थव्यवस्थाN. K. Khicha109-121देवेंद्रसूरिजीकृत सुबधकथा प्राकृत पाण्डुलिपि में आचार शास्त्रीय विवेचनHemvati Nandan Sharma113-119रत्नपालचरितम् : एक विवेचनHemvati Nandan Sharma120-124महोपाध्याय क्षमाकल्याण जी रचित साहित्यManiguru Charanraj Arya Mehulprabhasagar122-131आदिकाव्य का जीवन‑दर्शनBalram Shukla125-128वेदों में वर्णित राष्ट्रीय भावनाMahendrakumar A. Dave129-131અનુયોગદ્વાર સૂત્રના રચનાકાળ વિશે કાંઈક (Anuyogasar Sutra na Rachnakal vishe Kaik)Sadhvishri Mrigavatishriji M.132-137ન્યાય દર્શન – એક પરિચય (Nyaya Darshan – Ek Parichay)Laxman V. Joshi132-141“उत्तराध्ययन‑सूत्र” की पाण्डुलिपियों में चित्रित रूपाकृतियाँRajendra Prasad138-151મધ્યકાલીન સાહિત્યનો અમૂલ્ય ખજાનો (Madhyakalin Sahityano Amulya Khajano)Abhay Doshi142-148जैन साहित्य का राजस्थानी चित्रकला पर प्रभावRunjhun Rajawat, Tanuja Singh149-155बसोहली शैली में गीतगोविन्द अंकनRitika Garg152-160આચાર્ય જયવંતસૂરિકૃત શૃંગારમંજરી : એક અનન્ય સંપાદન (Acharya Javantsuri Kruta Shungaramanjari : Ek Anany Sampadan)Abhay Doshi161-174હસ્તપ્રતો : ભારતીય ઈતિહાસ અને સંસ્કૃતિનો અમૂલ્ય સ્રોત (Hastraprat: Bharatiya Itihaas ane Sanskriti no Amulya Srot)Bharti Shelat

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