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यशोधर का श्राख्यान गुरुकुल में व्याख्यान

By नेमीचंद पटोरिया

Vol. 03 · No. 02November 1985pp. 39-44Hindi

Summary

The text presents a lecture delivered by Acharya Sunitiji at the renowned Gurukul in Hastinapur, focusing on the third major work of poet Pushpadant, "Yashodharacharit" (Jasaharachariu). This work is considered an excellent creation in the Apabhramsha language, classified as a character-poem (charit-kavya) rather than a great epic or a minor epic, as it primarily centers on the character depiction of one individual, Yashodhar. Though the smallest among Pushpadant's works, it is lofty in its purpose, with the narrative revolving around Yashodhar and encompassing stories of his multiple births, not just one. Through this plot, the poet conveys a divine message of religion, renunciation, and non-violence. The story begins with King Maridatta of the Yaudheya country, who, despite enjoying many pleasures, desires the magical power of sky-travel to access the palaces of neighboring kings and indulge in sensual pleasures. He seeks a Kapalik named Bheeshananand, who promises him this power but demands a ritual involving the sacrifice of pairs of aquatic, terrestrial, and aerial creatures, including a flawless young man and woman. The king's officials capture two beautiful young ascetics, Kshullak Abhayaruchi and Kshullika Abhayamati, from a nearby garden. Abhayaruchi reveals his identity as Yashodhar, son of King Jasbandhu and Queen Chandramati. He recounts his past life: his marriage to Princess Amritamati, his discovery of her infidelity, his subsequent depression, and his mother's insistence on a life-sacrifice ritual to ward off a bad dream. His wife, realizing he knew of her adultery, poisoned him and his mother, then strangled him. After death, Yashodhar and his mother were reborn as a peacock and peahen, then as a snake and mongoose, a dog and fish, and later as a rooster and hen

Conclusion

The document’s narrative culminates in a profound transformation, where the tale of Yashodhar’s multiple births and sufferings serves as a powerful vehicle for conveying the core values of dharma, renunciation, and non-violence. The story’s climax, in which King Maridatta and even the palace children embrace asceticism, demonstrates the text’s intended outcome: a complete shift from violence to compassion and spiritual awakening. Composed around 975 CE, this charita-kavya is not a mere fiction but is grounded in over 75 earlier works, with Pushpadant’s poetic skill elevating it into a timeless masterpiece. Its enduring appeal lies in its ability to inspire detachment and ethical living, ensuring its relevance across centuries as a guide for moral and spiritual transformation.

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In this issue

Vol. 03 · No. 02
7-10प्रास्ताविक11-12प्रकाशकीय13-14प्रारम्भिक15-22रायकुमारचरिउ एक आद्यन्त जैन-काव्यप्रो० डॉ० गजानन नरसिंह साठे23-29रायक्मारचरिउ में प्रतिपादित जीवनमूल्यडं० कमलचंदे सोगाणी30जिनेन्द्र स्तुति31-38रायकुमारचरिउ की सूक्तियाँ और उनका अध्ययनडां० कंस्तुरचद “सुमन39-44यशोधर का श्राख्यान गुरुकुल में व्याख्याननेमीचंद पटोरियाCurrent article45-52जसहरचरिउ का काव्य-वैभवपुष्पदंत, परशुराम लक्ष्मण वैद्य, हीरालाल जैन53-61जसहरचरिउ में श्रात्मा सम्बन्धी विचारधीर्यांशकुमार सिघई62कर्म - विडम्बना63-68जसहरचरिउ केर सुहासिय-वयरााइं69-73महाकवि पुष्पदंत और उनकी रसाभिव्यक्तिडॉं० प्रेमचंद रांवका74शील-महिमा75-82महाकवि पुष्पदंत की विचारदृष्टि एवं उपमानसृष्टिडं० श्रीमती पुष्पलता जेन83-88महाकवि पुष्पदंत का काव्यप्रतिभा89-98संस्थान में महाकवि पुष्पदंत के ग्रन्थों की पाण्डुलिपियां99-102पुष्पदंत काव्य में प्रयुक्त “लक्ष्मी”103-104प्रशस्तिकारमेश मुनि शास्त्री, पुष्पदन्त105-114रोमिसुर की जयमाल एवं पाण्डे की जयमालमुनि कनककीति, कवि g115-116साहित्य-समीक्षा117-118इस अंक के सहयोगी रचनाकारडॉ० कमलचन्द सोगाखी, डॉ० कस्त्रचंद 'सुमन', डॉ० गजानन नरसिंह साठे, जवाहरलाल जैन, नेसीखंद पटोरिया, डॉ० (श्रीमती) पुष्पलता जेन, डॉ० प्रेमचंद रांवका

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