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प्रास्ताविक

By डॉ. गोपीचन्द पाटनी

Vol. 08 · No. 0March - 1988pp. 7-9Hindi

Summary

This eighth issue of the research journal *Jainavidya* from the Jainavidya Sansthan, Shri Mahavirji, is a special issue dedicated to Muni Kanakamar. Muni Kanakamar was a Digambara ascetic and a scholar and poet in several languages, including Apabhramsha. Around Vikram Samvat 1050, he composed the epic *Karakandachariu* (Karakandu Charitra) in Apabhramsha. The story of Karakandu is well-known in Jain literature and also appears in Buddhist texts, though the two narratives differ significantly. Most extant manuscripts of this work date from the 16th-17th centuries, considered the late medieval period of Apabhramsha development. Approximately 14-15 manuscripts are held in major collections, including the Shastra Bhandar in Amer, Jaipur. Muni Kanakamar was a great admirer of scholars like Acharya Siddhasena, Acharya Samantabhadra, Acharya Akalankadeva, Jayadeva, Svayambhu, and Pushpadanta. His immediate guru was Pandit Mangaladeva. He claimed that despite not knowing grammar or prosody, he was able to compose this work through the grace of his revered teachers. Born into a Brahmin family of the Chandra Rishi gotra, he renounced the world to become a Digambara monk. His birth name, birthplace, and early life are unknown. He composed the *Karakandachariu* in a city called Asadha, possibly modern-day Asapuri near Bhopal, after being encouraged by a virtuous, devout man who was respected by King Vijayapala. The work describes the life of King Karakandu across ten cantos. The narrative begins with King Dhadivahana of Champapuri marrying Padmavati, who is lost in a forest. She gives birth to a son in a cremation ground, who is raised by a matanga (a vid

Conclusion

This special issue on Muni Kanakamara’s *Karakandachariu* highlights the enduring value of Apabhramsha literature and its role in preserving Jain ethical and spiritual narratives. The detailed analysis of the text and its manuscripts underscores the importance of continued scholarly attention to such works, which offer profound insights into medieval Indian culture, language, and religious thought. By studying the life of King Karakanda—from worldly power to renunciation and liberation—readers gain a clear model of spiritual transformation. The document demonstrates that careful study of these narratives can guide individuals toward correct understanding of human tendencies and ultimately toward self-realization and salvation.

Article order

In this issue

Vol. 08 · No. 0
7-9प्रास्ताविकडॉ. गोपीचन्द पाटनीCurrent article10-12प्रकाशकीय13-14प्रारस्मिकप्रवीरचन््र जेन15-21मुनि कनकामर : व्यक्तित्व और कृतित्वमुनि कनकामर, (श्रीमती) अलका प्रचण्डिया 'दीति'22अनित्य भावना23-37करकंडचरिउ की कथा में लोकतात्त्विक जड़ाव-जुड़ाव(प्रो.) छोटेलाल शर्मा38अशरण-भावना39-48करकंडचरिउ का काव्यशास्त्रीय मूल्यांकनएडॉ० महेन्द्रसागर प्रचंडिया49-56करकंडुचरित विषयक जैन साहित्यडों० कपुरचन्द जेन, (श्रीमती) ज्योति जेन57-62करकण्डचरिउ में प्रतिपादित इतिहास व संस्कृतिभागचन्द्र भास्कर63-73करकंडचरिउ और पद्मावत का शिल्प-विधानडं० पुष्पलता जेन74एकत्व-भावना75-83करकण्डचरिउ की अध्यात्म-चेतनासुयेनारायण द्विवेदी84संवर भावना85-107हेमचन्द्र-अपभ्रन्श-व्याकरण सूत्र-विवेचन108-109इस अंक के सहयोगी रचनाकारडॉ. (श्रीमती) भरलका प्रचण्डिया, डॉ. कपूरचन्द जैन, डॉ कमलचन्द सोगारणी, डॉ. छोटेलाल शर्मा, डॉ. (श्रीमती) ज्योति जैन, डॉ. (श्रीमती) पुष्पलता जैन, डॉ.

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