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Variants from Venisamhara and the Kavyaprakasa of Mammata

By Jagruti S. Pandya

Vol. 201996pp. 77-91English

Summary

Jagriti Pandya addresses the challenge of establishing reliable texts of Sanskrit literature by examining variant readings of verses from Bhattanarayana’s Venisamhara as cited in Mammata’s Kavyaprakasa. While scholars have critically edited Kalidasa’s works, similar efforts are needed for other authors. Pandya consults multiple editions of Venisamhara and numerous editions and commentaries of the Kavyaprakasa, listing them systematically. She analyses how specific verses appear across these sources, noting where no variation exists and where commentators propose different readings. The article does not attempt to fix a definitive version but highlights textual discrepancies, encouraging future editors to collate manuscripts carefully. The discussion demonstrates how verses travel between texts of poetics and how later commentators may adopt readings unsupported by manuscripts. By bringing attention to these issues, Pandya underscores the importance of rigorous text‑critical methods for preserving Sanskrit literary heritage.

Conclusion

Pandya concludes that producing accurate editions of classical works requires systematic comparison of manuscripts and citations. Variants reveal the fluid transmission of Sanskrit texts and caution scholars against relying solely on later commentaries. Her study calls for careful philological work to ensure the integrity of India’s literary tradition.

Article order

In this issue

Vol. 20
1-11Natyasastra, Sanskrit Drama and Its TheatreRadhavallabh Tripathi12-15Some Notes on the Transmission of the Ayaranga-suttaColette Caillat16-23Middle Indic tuvatta-Herman Tieken24-31Pustimargi Poetry in Gujarati – The Lord of Braj Travelled to Gujarat TwiceMallison32-42Self‑Luminosity of Consciousness in Advaita Vedanta as explained in the NyayamakarandaRabindra Kumar Panda43-61'Niravasita' (Panini 2.4.10)M. Srimannarayana Murti62-66Candralekhavijaya Prakarana: A Discovery of an Island of Dramatic ExcellenceVijay Pandya67-72Heretical Conception of Universe and Jain Critique as depicted in the Sutrakrtanga Commentary of SilankaCh. Lalitha73-76Kalinjar Fort: The Time Winner Ancientmost Fort of IndiaDinesh Chandra Bhattacharya77-91Variants from Venisamhara and the Kavyaprakasa of MammataJagruti S. PandyaCurrent article92-99Alamkara‑DappanaHarivallabh Chunilal Bhayani100-108Heredity and EnvironmentRatanlal Jain109-122સમ્મતાકાર : એક અપ્રસિદ્ધ વૈયાકરણNilanjana S. Shah123-127વડનગરનો સમ્મતિય સંઘારામRatilal N. Mehta, Munindra Vishwa Joshi, Ratilal Satya Bhavsar128-131અમદાવાદની કેટલીક ઉમા-મહેશ્વરની યુગલ પ્રતિમાઓRambhai Thakar Savaliya, Munindra Vishwa Joshi132-133કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak134-144જૈન પુરાણો પર એક દૃષ્ટિપાતKantilal R. Dave145-146ભીમદેવ બીજાના વિશ્વ સં. ૧૨૬૩ના તામ્રપત્રમાં મળતા કેટલાક શબ્દો પર નોંધHarivallabh Chunilal Bhayani147-166રાજસારકૃત પુંડરીક-કુંડરીક-સંધિKalpana Kanubhai Sheth167-190Untitled articleNarayan M. Kansara191-212ReviewsNarayan M. Kansara

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