Ardhanarisvara Iconography in Kushana Art
By V. Sandhiyalakshmi
Summary
The article examines the iconography of Ardhanarisvara, a composite androgynous form of Shiva and Parvati, with a focus on Kushana-period representations from Mathura. It highlights the earliest known examples of Ardhanarisvara in Mathura's Kushana art, often depicted alongside deities like Vishnu, Skanda, and Sashthi, though scholars have previously misidentified some figures. The Kushana sculptures typically show Ardhanarisvara in a tribhanga posture, with distinct male and female attributes: the right half features Shiva with a raised arm in abhaya mudra, a third eye, and urdhvareta characteristics, while the left half depicts Parvati with a prominent breast, broad waist, and flower. The article discusses debates over later Kushana coins, where some scholars, like O.P. Singh, argue for Ardhanarisvara based on breast emphasis and other features, while others dispute this, attributing such depictions to standard Shiva iconography. The analysis extends to weapon symbolism, noting the trident's association with Parvati and its later adoption by Shiva in syncretic representations. The article concludes that the coin under study aligns with Ardhanarisvara iconography, reflecting the fusion of Shiva and Parvati through shared attributes and symbolism.
Conclusion
This study examines the iconography of Ardhanarisvara in Kushana art, particularly in Mathura sculptures and coins, highlighting debates around its identification and symbolism. The analysis reveals discrepancies in scholarly interpretations, such as misidentifications of deities and conflicting views on the trident's association with Siva or Parvati. The Kushana representations show Ardhanarisvara in distinct forms, with unifying elements like shared ornaments and postures, while later coins complicate interpretations due to ambiguous attributes. The discussion underscores the syncretic nature of the icon, reflecting the fusion of Siva and Parvati, and suggests that the trident's presence may symbolize this union. Ultimately, the study emphasizes the need for careful consideration of iconographic traditions and artistic nuances when interpreting such composite forms in ancient Indian art.