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कहाकवि धनपाल का काव्य प्रतिमा

By डॉ० योगेच््रनाथ शर्मा

Vol. 04 · No. 0April 1986pp. 27-33Hindi

Summary

The text discusses the medieval Indian literary tradition of Apabhramsha narrative poetry, focusing on the work "Bhavisayattakaha" by the poet Dhanpala. It explains that Apabhramsha literature, inspired by Prakrit storytelling, developed a rich tradition of narrative poems rooted in folk tales. Dhanpala's "Bhavisayattakaha" is highlighted as a significant Apabhramsha work from the 10th century, notable for its depiction of social, cultural, religious, and literary life of the period. The poet Dhanpala, identified as belonging to the Ghakkada merchant caste and a follower of Jainism, structures the poem as a love story framed within religious themes, particularly the importance of the Shrutapanchami vow. The narrative follows the hero Bhavishyadatta and the anti-hero Bandhudatta, symbolizing virtue and vice, and explores themes such as the consequences of polygamy, the portrayal of virtuous and wicked women, and the triumph of good over evil. Dhanpala employs a simple, unadorned style, focusing on natural description and character development rather than elaborate poetic devices. The work is divided into sections and uses both metric and syllabic meters. Scholars note that while the poem is a love story, it is infused with Jain religious elements, including references to the Tirthankara Chandraprabha. The text concludes that "Bhavisayattakaha" is a successful Apabhramsha narrative poem that upholds high moral values and provides insight into 10th-century Indian society, culture, religion, and philosophy.

Conclusion

The analysis of Dhanapala's *Bhavisayattakaha* reveals its significance as a major Apabhramsa work that bridges literary tradition and social reality. The text demonstrates how medieval Indian narrative poetry served as a vehicle for both entertainment and moral instruction, with Dhanapala deliberately choosing a simple merchant's son as protagonist to make the story accessible to common people. The work's treatment of polygamy's consequences, its contrast between virtuous and wicked characters, and its emphasis on repentance and moral values reflect the poet's commitment to establishing higher life principles. By avoiding ornate style in favor of straightforward storytelling, Dhanapala created a work that remains close to the popular heart while still conveying Jain religious themes. The *Bhavisayattakaha* thus stands as a valuable document for understanding 10th-century Indian society, culture, and literature, confirming the rich tradition of Apabhramsa narrative poetry that drew from folk tales while imparting ethical teachings.

Article order

In this issue

Vol. 04 · No. 0
7-9प्रास्ताविक10-11प्रकाशकीय12-14प्रारम्भिकप्रो. प्रवीणचन्द्र जेन15-20महाकवि धनपाल व्यक्तित्व एवं कृतित्वडं. जयकिशन प्रसाद खण्डेलवाल21-25भेंट कवि धनपाल सेश्री नेमीचन्द पटोरिया26भविस को माता की शिक्षा27-33कहाकवि धनपाल का काव्य प्रतिमाडॉ० योगेच््रनाथ शर्माCurrent article34भविस को मुनिराज का उपदेश35-45भविसयत्तकहा का साहित्यिक महत्त्व46दुर्जन : महाकवि धनपाल की दृष्टि में47-56भविष्यदत्तकथा-विषयक साहित्य एक श्रनुशीलनडं. कपुरचन्द जेन57-62अपभ्रंश का शिखर महाकाव्य भविसयत्तकहाडॉ० शरीरंजन सूरिदेव, धनपाल63-78मविसयत्तकहा का भावबोधप्रो, छोटेलाल शर्मा79-84भविसयत्तकहा का कथारूप85-92भविसयत्तकहा का धार्मिक परिवेशश्री भीयांशकुमार सिघई93-98भविसयत्तकहा में नीतितत्त्वडां° गंगाराम गगं99-103भविसयत्तकहा में युग और समाज के संदर्भडं° रामगोपाल शर्मा “दिनेश104महाकवि धनपाल की कुछ उक्तियां105-112भविसयत्तकहा में जीवन का प्रतिबिम्बडं. गजानन नरसिंह साठ113-115मविसयत्तकहा की संस्थान म प्राप्त पाण्डलिपियों को प्रशस्तियाँपं० भंवरलाल पोल्याका116श्रावक के भ्रष्ट मूलगुण117-128पुराण-सूक्तिकोशप्रो.) प्रवीशचन्द्र जेन129-137समाधिमुनि चारित्रसेन, पं. मंवरलाल पोल्याका जेनदर्शनाचायें, सा. शास्त्री, प्रो- प्रवीराचन्द्र जन138साहित्य-समीक्षानाथूराम डॉगरीय जैन139-145पुष्पदन्त विशेषांक विद्वानों की दृष्टि मेंडॉ. हीरालाल माहेश्वरी, डॉ. कलारचन्द्र भाटिया, मुनिश्री नगराजजी, डॉ. रामस्वरूप प्रायं, चारकीर्ति भट्टारक स्वामीजी, डॉ. लालचन्द जैन, डॉ योगेन्द्रनाथ शर्मा “अर146-148इसे अंक के सहयोगी रचनाकारड. प्रादिल्य प्रचण्डिया, डॉ. कपुरचन्द ज़ैन, डॉ. गंगाराम गमं, डॉ. गजानन नरसिंह साटे, डॉ. गदाधर सिह, डॉ. छोटेलाल शर्मा, डॉ. जयकिशन प्रसाद खण्डेलवाल

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