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Recent Research in the History of Gujarat

By Hariprasad G. Shastri

Vol. 191994-1995pp. 74-79English

Summary

This survey of recent scholarship charts the transformation of Gujarat studies after India’s independence. It notes that the discovery of prehistoric and protohistoric cultures through excavations at sites such as Lothal, Rangpur and Rojdi has pushed the region’s history back to the Indus Civilisationfile:///home/oai/share/520769%20(19)%201-182.pdf#:~:text=During%20the%20British%20period%20a,survey%20of%20the%20recent%20research. The author summarises key research trends: studies of Mauryan rule and Western Kṣatrapa inscriptions; analyses of trade connections with the Roman world; and investigations into the evolution of place‑names from Anarta and Lāṭa to Gujarātfile:///home/oai/share/520769%20(19)%201-182.pdf#:~:text=have%20revealed%20prehistoric%20culture%20throueh,the%20prominent%20Harappan%20sites%20situated. He highlights contributions by archaeologists H.D. Sankalia and Rasesh Jamindar, numismatists who catalogued coins, and historians who mapped the region’s administrative divisionsfile:///home/oai/share/520769%20(19)%201-182.pdf#:~:text=The%20documented%20History%20of%20Gujarat,Kalanum%20Gitjarata%27%20%281975%29.%20The. The essay concludes that Gujarat’s history is now understood as a sequence of cultural zones – Harappan, early historic, classical and medieval – each with distinctive settlement patterns, artefacts and political formations. Continued fieldwork and interdisciplinary collaboration will further refine this narrative.

Conclusion

The review underscores how dramatically our understanding of Gujarat has expanded since mid‑twentieth‑century archaeology. By situating the region within broader South Asian and Indian Ocean networks, scholars have overturned the idea of Gujarat as peripherally Hindu. The conclusion calls for systematic publication of excavation reports and integrative studies that link material culture with literary sources.

Article order

In this issue

Vol. 19
1-20Origin and Development of Theatre in Ancient IndiaRadhavallabh Tripathi21-23Reconsideration of Sri Śaṅkuka’s Views on Rasa‑NispattiTapasvi Shambhuchandra Nandi24-42Visvanātha’s Kavyaprakāśadarpana and SahityadarpaṇaJagruti S. Pandya43-47On MIA *lagg* Used as a ‘Vector’ VerbHarivallabh Chunilal Bhayani48-49A Puzzle for the Scholars of Buddhist HistoryNagin J Shah50-62Some Common Elements in Brahmanism and BuddhismRatilal N. Mehta63-65The Jain Concept of Śramaṇa in the Aupapātika SūtraCh. Lalitha66-73Karma and Freewill: A Comparative Study of Hinduism, Buddhism and JainismArvind Sharma74-79Recent Research in the History of GujaratHariprasad G. ShastriCurrent article80-85Management of Temples at Nāḍol during the Caūhān PeriodRam Vallabh Somani86-90Continuity of Tradition in Medieval Sculpture and Painting in Western IndiaShridhar Andhare91-99मन्त्रार्थवर्तन में यास्क एवं वेदकृतादिभाष्यकारों का वैचित्र्यBharti Satyapal Bhagat100-107संस्कृत साहित्य में नूतन प्रयोगJaiprakash Narayan Dwivedi108-111भरतपुर क्षेत्रीय चित्रित स्थल एवं चित्रण विषयTanuja Singh112-122‘त्रिवेन्द्रम्‑रूपक’ मां सन्स्कारुपनो विशेष विनियोगVasantkumar M. Bhatt123-125ક多少ક प्रतीरूप अभिलेखो (Gujarati title approximated)Lakshmanbhai Bhojak126-128चौलक्य भीमदेव … तामपत्र (वि सं १२६३)Narayan M. Kansara129-133अनुवादवृत्तिरस्मिः: प्रामाण्याप्रामाण्यम्Lalita Chakraborty134-154The Tarka‑Bhāṣā‑Vārtika of ŚubhāvijayaNarayan M. Kansara155-175ReviewsNarayan M. Kansara176-178ObituariesJitendra B. Shah, Shridhar Andhare

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