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Nāgda's Ancient Jaina Temple

By M. A. Dhaky

Vol. 432020-2022pp. 16-19English

Summary

This piece surveys the solitary Digambara Jain temple at Nāgda, once a capital of the Guhila dynasty and later a Jain centre. The temple consists of an early eleventh‑century prasāda with later additions. Its plan exhibits bhadra, subhadra and upa‑bhadra offsets and base mouldings such as jadyakumbha and karṇaṭakafile:///home/oai/share/split_articles/article_4_16-19.pdf#:~:text=The%20prasada%20is%20about%2027,s%20%28subsidiary%20sections%29%2C%20and%20pratiratha. The recessed walls house niches containing images of Pārśvanātha, and the śikhara is composed of thirty‑seven miniature spires arrayed in rows; the caitya‑mesh pattern and lotus‑bud profile reflect Maru‑Gurjara craftsmanshipfile:///home/oai/share/split_articles/article_4_16-19.pdf#:~:text=The%20%24ikhara%20,The%20%24ikhara%20is. Inscriptions from 1300 and 1335 mention renovations, but stylistic analysis assigns the temple to the early eleventh centuryfile:///home/oai/share/split_articles/article_4_16-19.pdf#:~:text=The%20dedication%2C%20by%20association%20of,as%20Bhandarkar%20has%20also%20noticed. The article situates the shrine within the broader context of Nagda’s history, noting its transformation from a royal capital to a pilgrim destination, and contrasts its Digambara form with Śvetāmbara temples. Through architectural description and epigraphic evidence, the author underscores the temple’s role as an early manifestation of the regional style that would flourish in western India.

Conclusion

Nagda’s Digambara shrine demonstrates the early maturity of Maru‑Gurjara architecture. Its carefully proportioned plan, richly carved spire and early eleventh‑century date position it as a crucial link between the earliest Jain temples and the grander monuments of later centuries.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. DhakyCurrent article20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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