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કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્ર

By Madhusudan Dhanki

Vol. 432020-2022pp. 193-204Gujarati

Summary

In this literary study, Madhusudan Gandhi profiles two medieval Gujarati poets—Kavi Ramyatra and Kavi Sagaratr—and analyses their contributions to Jain literature. Drawing on manuscripts, genealogical records and monastic chronicles, he reconstructs their biographies and situates them within specific Jain monastic lineages. A genealogical diagram shows their place in the chain of teachers and disciples. Gandhi then examines their compositions. Ramyatra wrote narrative poems and devotional hymns that blend doctrinal exposition with storytelling; Sagaratr composed a long poem extolling the virtues of monastic life. The author highlights thematic differences—Ramyatra’s style is ornate and narrative‑driven, while Sagaratr favours concise didacticism. He also analyses their metre and imagery and compares their vocabulary to other works of the period. Gandhi situates both poets in a historical context: they flourished when Jain monks encouraged vernacular literature to educate lay audiences. The essay examines patronage patterns, noting that merchant families supported the poets and that their works circulated widely. Manuscript evidence and cross‑references to inscriptions allow Gandhi to propose dates: Ramyatra likely lived in the fourteenth century and Sagaratr in the fifteenth. The article concludes with an exhaustive bibliography of the sources consulted, including catalogues and unpublished manuscripts. By assembling biographical details and analysing the poets’ works, the study sheds light on the evolution of early Gujarati Jain literature and the collaboration between monks and lay patrons.

Conclusion

Gandhi concludes that Kavi Ramyatra and Kavi Sagaratr were pivotal figures in the development of Gujarati Jain literature. Their poetry illustrates how Jain teachings were adapted into accessible vernacular forms and reflects collaboration between monastic lineages and lay patrons. The article highlights the need for critical editions of their works and encourages further research on lesser‑known poets to gain a fuller picture of medieval literary culture.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan DhankiCurrent article205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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