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Some Less Known Verses of Siddhasena Divākara

By M. A. Dhaky

Vol. 432020-2022pp. 20-25English

Summary

The fifth article collates lesser‑known verses attributed to the Jain philosopher Siddhasena Divākara. Medieval sources such as the Prabhāvakacarita recount that Siddhasena recited poetic verses before King Vikramāditya, yet the verses cited there do not appear in his known works, raising questions about authorshipfile:///home/oai/share/split_articles/article_5_20-25.pdf#:~:text=These%20verses%20do%20not%20figure,circumstances%2C%20Siddhasena%27s%20authorship%20of%20the. By tracing quotations in commentaries by Jayasiṃha Sūri (A.D. 859) and Haribhadra Sūri (ca. 750), the author argues that some of these verses are genuinely ancientfile:///home/oai/share/split_articles/article_5_20-25.pdf#:~:text=the%20first%20two%20verses%20the,very%20verses%20as%20from%20Vadimukhya. The article highlights how Jain scholars often borrowed verses from multiple traditions, making attribution complex. It presents the verses in translation and analyses themes such as transience, ethics and cosmology. Ultimately, the piece illustrates the fluidity of authorship in early Jain literary culture and urges caution when assigning verses to historical figures.

Conclusion

By examining commentarial evidence, the study reveals that several orphaned verses attributed to Siddhasena may indeed belong to him while others do not. It emphasises the need for rigorous philological work when dealing with early Jain literature and highlights the porous boundaries of authorship in medieval India.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. DhakyCurrent article26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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