Browse articles

The Earliest Portions of Daśavaikālika‑sūtra

By M. A. Dhaky

Vol. 432020-2022pp. 85-100English

Summary

M. A. Dhaky's article analyzes the Dasavaikālikasūtra, an Āriga-bāhya work of the Śvetāmbara Ardhamāgadhī canon, traditionally ascribed to Ārya Sayyambhava (c. 370-340 BCE), third patriarch after Sudharmā and father of the boy-friar Maṇaka for whom it was composed. The tradition, corroborated by the Sthavirāvalī (c. 100 CE) naming him Maṇaka-pitā, enables stylistic identification of authentic portions suited to a novice: Chapter 1 (Draumilapuggalīya, 5 verses on discreet alms-begging via flower-bee metaphor, opening with Dhammaṃ maṅgalaṃ mukkaṃ) and select Chapter 2 verses (initial verse paralleling Pāli Saṃyuktānikāya 1.2-7; verses 6-10, borrowed in Uttarādhyayana 22). The text's ten chapters exhibit heterogeneous styles, meters, and strata (c. 3rd cent. BCE-1st cent. CE), with later substitutions for lost originals, as evidenced by pre-Kuṣāṇa citations (e.g., Yapaniya commentaries) and synods (Mathurā c. 363 CE; Valabhī I mid-4th cent.; II 503-516 CE). Chapter analyses reveal interpolations: Ch. 3 (Kuśīlacāra) mixes Mauryan (vv. 1, 10-15) and later verses; Ch. 4 (Sajjīvanikāya) has prose from Pratikramaṇasūtra/Ācārāṅga II and five verse-laminae, only vv. 30-31 authentic (paralleling Buddhist Itivutta); Ch. 5 (Piṇḍaiṣaṇā) rejects non-vegetarian verses (104, 115) violating ahiṃsā; remaining chapters (6-10) and appendices (Rativākyacūlikā, Viviktacaryā by nun Yaksī, sister of Sthūlabhadra) address advanced monastics (c. 2nd-1st cent. BCE).

Conclusion

The Dasavaikālikasūtra is a composite canonical text whose earliest authentic portions can be confidently attributed to Ārya Sayyambhava in the 4th century BCE, composed for his young novice son Maṇaka. Subsequent chapters reflect layered redactions and interpolations spanning several centuries, addressing different monastic audiences and doctrinal needs. This complex textual evolution underscores the sutra’s centrality within early Śvetāmbara tradition while illustrating the dynamic nature of Jain canonical development over time.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. DhakyCurrent article101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

Original PDF

Inline viewer

Checking source PDF

The viewer will load here if the archive file is reachable.