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The Minarets of the Hilāl Khān Qāzī Mosque, Dholaka

By M. A. Dhaky

Vol. 432020-2022pp. 71-84English

Summary

M.A. Dhaky's article analyzes the minarets of the Hilal Kham Qazi Mosque (A.D. 1333) at Dholaka (anc. Dhavalakakka), Gujarat, as the earliest documented examples in the region. Early Islam in Gujarat Islam entered Gujarat peacefully before the 1298 conquest, predating structures in Delhi and Ajmer. Key pre-conquest mosques include Sadre-e-avval Jami at Cambay (pre-12th c., trad. late 8th c.), Apalli (1053 post-Somnath raid), Bharuch (c. 1066), Bhadresvar (late 11th-12th c.), Prabhas-Patana (1264), and Junagadha (1286-87). Vastupala (1220-1235) and Jagadu Shah built masjids; a 12th-c. Vastushastra (Jayaprchha) references "Rahmana prasada" (mosque). Mosque Description Post-conquest survivors include Dholaka's graceful structure (vs. larger Cambay Jami, 1375), with minimal reused temple materials, emphasizing authentic local Islamic style. Features: chaste workmanship, proportional entrance hall, women's gallery grilles. Minarets (17 ft high, 2-3 ft diameter shafts) crown the maqsura's central arch over parapet, symbolic rather than functional (unlike monumental Sultanate types). Minaret Analysis Composed cylindrically in eight parts using Maru-Gurjara terms: bhittis (plinths), pitha (5 mouldings: jadyakumbha etc.), bhumi storeys (fluted janghas, madhyabandha, kapotapali, madalas), prahara, khuracchadya, miniature minar through amalasaraka, candrika, kalasa (ghata-bijapuraka). Hindu elements subordinated by circular form, slenderness, dominant triangular flutings (non-Indian, akin to Wasit Great Mosque, Iraq, A.D. 702-5, via medieval Middle East trade/Islam). Comparative Significance Refutes Burgess/Brown (turrets, indigenous innovation): follows Ajmer (c. 1206), Cambay precedents; ideologically Islamic despite variations. Evolved into Ahmedabad Sultanate minarets (1412-1422, sans flutings, over simulated shrines). Cambay/Mangrola types declined; Dholaka's verticality, Corinthian-like shaft enabled monumentalization, blending symbols.

Conclusion

The minarets of the Hilal Kham Qazi Mosque at Dholaka represent a unique architectural synthesis where indigenous Maru-Gurjara elements are subordinated to a distinctly Islamic form and ideology. Their cylindrical structure with rare triangular flutings connects Gujarat to a wider Islamic architectural tradition extending to the medieval Middle East. These minarets stand as pioneering examples in Gujarat, symbolizing the early and authentic Islamic identity that influenced subsequent monumental mosque architecture in the Sultanate period, marking a critical juncture in the region’s religious and architectural history.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. DhakyCurrent article85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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