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પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખ

By Madhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah

Vol. 432020-2022pp. 164-173Gujarati

Summary

This article describes the discovery and analysis of a medieval Jain idol of Tīrthaṅkara Vasu­pūjya found in Porbandar. Madhusudan Gandhi and his colleagues detail the iconography: the metal idol depicts the Tīrthaṅkara in a standing meditation posture with a halo and attendant deities, and its workmanship suggests a late‑medieval date. The pedestal bears an inscription written in old Gujarati script. The authors transliterate and translate the text, which records that the image was installed by local devotees under the supervision of Jain monks. The inscription lists donors’ names and gives a date in the Vikram Samvat era, allowing the idol to be dated to the early eighteenth century CE. By comparing the inscription to other Jain epigraphs from Kathiawar, the authors show that the language and formulas match regional practice. The article situates the find within the broader corpus of Jain art; images of Vasu­pūjya are relatively rare in Gujarat, so this discovery adds to the known examples. Photographs illustrate the idol and the inscription in detail. The authors also discuss the cultural and religious significance of Vasu­pūjya worship in coastal Gujarat and review secondary sources. Overall, the essay provides a meticulous description of the artifact, contextualises its inscription and underlines its value for understanding regional Jain iconography and epigraphy.

Conclusion

Gandhi and his co‑authors conclude that the Porbandar Vasu­pūjya idol and its inscription shed light on Jain devotional life in coastal Gujarat. The epigraph confirms the patronage of merchant families and monks, while stylistic analysis dates the sculpture to the late‑medieval or early‑modern period. By documenting the artifact and comparing it with other inscriptions, the article enriches the corpus of Jain art and offers a useful reference for future studies.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji ShahCurrent article174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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