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The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena Divākara

By M. A. Dhaky

Vol. 432020-2022pp. 26-34English

Summary

This paper introduces the Bauddha‑Santāna Dvātriṃśikā, an early Jain treatise that explains Buddhist concepts for a Jain audience. Composed by Siddhasena Divākara in the fifth century, the text summarises Mahāyāna doctrines such as dependent origination (pratītyasamutpāda) and the emptiness of phenomena without engaging in polemicsfile:///home/oai/share/split_articles/article_6_26-34.pdf#:~:text=%C2%A2%20First%2C%20it%20is%20the,stanza. Its explanatory, rather than argumentative, tone makes it a unique bridge between Jainism and Buddhism. The article shows that Siddhasena avoids references to later Buddhist logic; his discussion predates the epistemological systems of Diṅnāga and Dharmakīrtifile:///home/oai/share/split_articles/article_6_26-34.pdf#:~:text=it%20covers%20a%20larger%20field,earlier%20Buddhist%20theories%20and%20epistemological. By contextualising the Dvātriṃśikā among other Jain and Buddhist texts, the author argues that it provides evidence of early Jain interest in Mahāyāna thought. The piece also surveys the scarce commentarial tradition on the work and highlights textual difficulties in interpreting verses. Overall, the study demonstrates how interreligious engagement enriched Jain philosophy and offers a rare glimpse of Buddhist teachings through a Jain lens.

Conclusion

The Dvātriṃśikā shows that early Jain authors were familiar with and sympathetic to Buddhist metaphysics. Its clear and concise exposition of Mahāyāna ideas without rebuttal suggests a period of intellectual openness and cross‑fertilisation between the traditions.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. DhakyCurrent article35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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