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જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિ

By Madhusudan Dhanki

Vol. 432020-2022pp. 215-218Gujarati, Sanskrit

Summary

Madhusudan Gandhi’s brief piece introduces and publishes a devotional hymn (*stuti*) dedicated to the liberated Jain beings (vītarāgas). He explains that the hymn, preserved in a monastic manuscript, belongs to the genre of stotras recited during worship. The author provides a short introduction situating the hymn within Jain liturgical tradition and notes that it had not been printed previously. The article then presents the Sanskrit text of eight verses praising the serene and omniscient qualities of the vītarāgas. The hymn describes them as embodying supreme compassion and urges devotees to take refuge in them, using traditional metres and alluding to concepts such as liberation and omniscience. Gandhi prints the verses in Devanagari script, offers variant readings from the manuscripts and notes parallels with other Jain hymns. By making the text accessible, the article contributes to the preservation of Jain devotional literature.

Conclusion

The publication of the Vītarāga Stuti provides a valuable addition to Jain liturgical resources. The hymn encapsulates key Jain ideals—detachment, compassion and the quest for liberation—in concise Sanskrit verses. Gandhi’s commentary situates the hymn in the broader devotional tradition and underscores the importance of preserving monastic manuscripts. The article enables scholars and devotees to study and recite a text that might otherwise have remained obscure.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan DhankiCurrent article219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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