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Mahāvīra of Satyapura in Historical Perspective

By M. A. Dhaky

Vol. 432020-2022pp. 35-42English

Summary

Investigating the Jina Mahāvīra temple at Satyapura (modern Sanchore), this historical essay seeks to date the shrine and identify its founders. Different texts place Satyapura in western Marumandala or Pascimadeśa, reflecting changing geographical perspectivesfile:///home/oai/share/split_articles/article_7_35-42.pdf#:~:text=locates%20Satyapura%20in%20Marumandala%3F%20however%2C,Nana. Legend credits the temple’s founding to Prince Nāgabhaṭa; the author links him to Nagabhata I of the Gurjara‑Pratihara dynasty and argues for a foundation around A.D. 726file:///home/oai/share/split_articles/article_7_35-42.pdf#:~:text=this%20Prince%2C%20named%20Nahad%20%28Nagabha,726%2C%20a%20date%20far. The article examines inscriptions, pilgrim itineraries and tirthamala hymns to reconstruct the historical context. It contends that Satyapura’s temple served as a major pilgrimage centre and symbolised royal patronage of Jainism during the early medieval period. Through careful correlation of textual and historical data, the study provides a plausible chronology for the temple and situates it within broader political dynamics. It also reflects on the interplay between myth and history in Jain narratives.

Conclusion

By correlating legendary accounts with historical evidence, the article proposes that the Satyapura temple to Mahāvīra was likely established in the early eighth century under Nagabhata I. This dating situates the shrine within the expansion of Gurjara‑Pratihara power and underscores the role of royal patronage in shaping Jain pilgrimage landscapes.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. DhakyCurrent article43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. Dhaky118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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