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A note on the Jina Image from Medata, Rajasthan

By M. A. Dhaky

Vol. 432020-2022pp. 115-117English

Summary

M.A. Dhaky describes a rare early medieval seated Jina image from Medata, Rajasthan, gifted by Jitendra Shah to the Lalbhai Dalpatbhai Museum, Ahmedabad. The medium-sized stone sculpture, slightly abraded yet intact, depicts a Jina in padmasana on a lion-throne with dharmacakra flanked by deer between adorsed lions; throne ends bear Yaksa Sarvanubhuti and Yakshi Ambika. Above the throne centrally sits Jina Rsabha with usnisa and hair-tuft; fly-whisk-bearing camaradharas in dvibhanga attend the Jina; behind the bhamandala rises chatra-traya on a staff, with maladharas above camaras, profile Hiranyendras (elephants with turned heads enhancing relief, bearing mahout, Indra, and consort/apsaras), deva-dundubhi, and caitya-vrksa leaves. The balanced composition features medium-high relief carving. Dated stylistically to early 10th century (first quarter) based on outstretched padmasana elbows, elegant dvibhanga, serene faces, minimal ornaments on camaradharas, and Hiranyendra association (post-early 10th century rarity in western India); comparable to Madhya Pradesh examples. Survival attributed to evasion of iconoclastic invasions (Arabs c. 725-750 CE at Lata; Mahmud of Ghazni 1025 CE; Shihabuddin Ghori 1195-96 CE; Alauddin Khilji c. 1305 CE), which destroyed many western Indian temples and images.

Conclusion

This rare early-tenth-century Medata Jina image exemplifies pre-iconoclastic western Indian medieval sculpture, its intact pratiharya ensemble and stylistic elegance underscoring survival amid Arab, Ghaznavid, Ghurid, and Khilji devastations.

Article order

In this issue

Vol. 43
1-3Notices on Buddhist Architecture in Western Indian VāstusāstrasM. A. Dhaky4-8The Architectural Data in the Nirvanākalikā of Pādalipta‑SūriM. A. Dhaky9-15The 'Nāgabandha' and the 'Pañcāṅgavīra' CeilingM. A. Dhaky16-19Nāgda's Ancient Jaina TempleM. A. Dhaky20-25Some Less Known Verses of Siddhasena DivākaraM. A. Dhaky26-34The “Bauddha‑Santāna Dvātriṃśikā” of Siddhasena DivākaraM. A. Dhaky35-42Mahāvīra of Satyapura in Historical PerspectiveM. A. Dhaky43-53Prāsāda as CosmosM. A. Dhaky54-65The Morphology of the ‘Trident’ WeaponM. A. Dhaky66-70Musical Instruments in Nirgrantha Canonical LiteratureM. A. Dhaky71-84The Minarets of the Hilāl Khān Qāzī Mosque, DholakaM. A. Dhaky85-100The Earliest Portions of Daśavaikālika‑sūtraM. A. Dhaky101-105Some interesting Cultural Data in the "Bhuvanasundari-Katha"M. A. Dhaky106-114On the Antiquity and Original Parts of the "Pundarika Adhyayana" Sutrakrtanga (II)M. A. Dhaky115-117A note on the Jina Image from Medata, RajasthanM. A. DhakyCurrent article118-138The Works of Vacaka UmasvatiM. A. Dhaky139-145Two Less Known Works of BilhanaM. A. Dhaky146-163સંગીતમાં 'શબ્દ' નો વિમર્શ (Discussion on 'Shabd' in Music)Madhusudan Dhanki164-173પોરબંદરની વાસુપૂજ્યજિનની વાઘેલાકાલીન પ્રતિમા અને તેનો અભિલેખMadhusudan Dhanki, Manibhai Vora, Tribhovandas Oghavji Shah174-192શત્રુંજયગિરિના કેટલાક અપ્રકટ પ્રતિમાલેખોMadhusudan Dhanki, Lakshmanbhai Bhojak193-204કવિ રામચન્દ્ર અને કવિ સાગરચન્દ્રMadhusudan Dhanki205-214કહાવલી-કર્તા ભદ્રેશ્વરસૂરિના સમય વિશેMadhusudan Dhanki215-218જૈત્રસૂરિશિષ્યકૃત વીતરાગસ્તુતિMadhusudan Dhanki219-220કતિપય ધાતુમય જિન-પ્રતિમાના અભિલેખMadhusudan Dhanki, Lakshmanbhai Bhojak

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